isitor should turn to the fragments
of the Minerva. A small fragment of the upper part of a face (101) is
all that remains of Minerva's head, the holes being still visible by
which the goddess's bronze helmet was fastened to the statue.
Hereabouts, also, is a fragment of the statue (102), and a coil of the
serpent that was about the figure (104). The torso marked 100, from
the western pediment, is conjectured to be part of a statue that
represented Cecrops, the founder of Athens, at the contest. The next
fragment is the torso of Neptune (103); and hereabouts is the cast of
the group supposed to have originally represented Hercules and Hebe.
The second object, marked 104, is the cast, presented by M. Charles
Lenormand, of a head in the Bibliotheque Nationale at Paris, supposed
to belong to one of the statues of the western pediment. A torso of a
wingless or Athenian Victory is the next object that demands notice
(105): the figure was represented without wings, in token of the
inseparability of the goddess from the Greek capital. Another object
is marked 105: this is the head of the Victory; or rather a cast from
the original head presented to the trustees by Count de Laborde.
Lastly, of the western pediment sculptures, the visitor will remark
the lap of a figure, with a portion of an infant remaining: this ruin
is all that is left of Latona and her two children, Diana and Apollo.
Having fully examined these ruins of the Parthenon, the visitor must
direct his immediate attention to the remains collected from the ruins
of the celebrated
DOUBLE TEMPLE OF THE ERECTHEUM AND PANDROSUS.
The temple of the Erectheum was situated at Athens, less than two
hundred feet distant from the Parthenon. It was the temple of Athene
Polias, or Minerva and Erectheus; and adjoining it was the chapel of
Pandrosus. Philocles of Acharnae was the architect of the building,
which Lord Aberdeen, reiterating the opinion of many great
authorities, in his "Inquiry into the Principles of Beauty in Grecian
Architecture," styles the most perfect known specimen of the Ionic
order of architecture. It was built on the spot where Neptune and
Minerva are supposed to have contested the honour of naming Athens.
When Lord Elgin visited Athens, the vestibule of the temple was a
Turkish powder magazine.
Before examining the few relics from this fine building in the saloon,
the visitor should notice the second object, marked 106, which is the
cast of a head f
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