the "Commencements" and "Exhibitions" of Harvard University, a girl,
plain in appearance, but of dashing air, who was invariably the centre
of a listening group, and kept their merry interest alive by sparkles
of wit and incessant small-talk. The bystanders called her familiarly,
"Margaret," "Margaret Fuller;" for, though young, she was already
noted for conversational gifts, and had the rare skill of attracting
to her society, not spirited collegians only, but men mature in
culture and of established reputation. It was impossible not to admire
her fluency and fun; yet, though curiosity was piqued as to this
entertaining personage, I never sought an introduction, but, on the
contrary, rather shunned encounter with one so armed from head to foot
in saucy sprightliness.
About 1830, however, we often met in the social circles of Cambridge,
and I began to observe her more nearly. At first, her vivacity,
decisive tone, downrightness, and contempt of conventional standards,
continued to repel. She appeared too _intense_ in expression, action,
emphasis, to be pleasing, and wanting in that _retenue_ which we
associate with delicate dignity. Occasionally, also, words flashed
from her of such scathing satire, that prudence counselled the keeping
at safe distance from a body so surcharged with electricity. Then,
again, there was an imperial--shall it be said imperious?--air,
exacting deference to her judgments and loyalty to her behests,
that prompted pride to retaliatory measures. She paid slight heed,
moreover, to the trim palings of etiquette, but swept through the
garden-beds and into the doorway of one's confidence so cavalierly,
that a reserved person felt inclined to lock himself up in his
sanctum. Finally, to the coolly-scanning eye, her friendships wore a
look of such romantic exaggeration, that she seemed to walk enveloped
in a shining fog of sentimentalism. In brief, it must candidly be
confessed, that I then suspected her of affecting the part of a Yankee
Corinna.
But soon I was charmed, unaware, with the sagacity of her sallies, the
profound thoughts carelessly dropped by her on transient topics,
the breadth and richness of culture manifested in her allusions
or quotations, her easy comprehension of new views, her just
discrimination, and, above all, her _truthfulness_. "Truth at all
cost," was plainly her ruling maxim. This it was that made her
criticism so trenchant, her contempt of pretence so quick and stern,
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