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the "Commencements" and "Exhibitions" of Harvard University, a girl, plain in appearance, but of dashing air, who was invariably the centre of a listening group, and kept their merry interest alive by sparkles of wit and incessant small-talk. The bystanders called her familiarly, "Margaret," "Margaret Fuller;" for, though young, she was already noted for conversational gifts, and had the rare skill of attracting to her society, not spirited collegians only, but men mature in culture and of established reputation. It was impossible not to admire her fluency and fun; yet, though curiosity was piqued as to this entertaining personage, I never sought an introduction, but, on the contrary, rather shunned encounter with one so armed from head to foot in saucy sprightliness. About 1830, however, we often met in the social circles of Cambridge, and I began to observe her more nearly. At first, her vivacity, decisive tone, downrightness, and contempt of conventional standards, continued to repel. She appeared too _intense_ in expression, action, emphasis, to be pleasing, and wanting in that _retenue_ which we associate with delicate dignity. Occasionally, also, words flashed from her of such scathing satire, that prudence counselled the keeping at safe distance from a body so surcharged with electricity. Then, again, there was an imperial--shall it be said imperious?--air, exacting deference to her judgments and loyalty to her behests, that prompted pride to retaliatory measures. She paid slight heed, moreover, to the trim palings of etiquette, but swept through the garden-beds and into the doorway of one's confidence so cavalierly, that a reserved person felt inclined to lock himself up in his sanctum. Finally, to the coolly-scanning eye, her friendships wore a look of such romantic exaggeration, that she seemed to walk enveloped in a shining fog of sentimentalism. In brief, it must candidly be confessed, that I then suspected her of affecting the part of a Yankee Corinna. But soon I was charmed, unaware, with the sagacity of her sallies, the profound thoughts carelessly dropped by her on transient topics, the breadth and richness of culture manifested in her allusions or quotations, her easy comprehension of new views, her just discrimination, and, above all, her _truthfulness_. "Truth at all cost," was plainly her ruling maxim. This it was that made her criticism so trenchant, her contempt of pretence so quick and stern,
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