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erwood stepped out. Lillian's head and face were so swathed in veils that I did not realize what the change in her appearance of which she had warned me was until I was alone with her in my room, which I intended giving up to her and her husband while they stayed. Then, as she took off her hat and veils, I almost cried out in astonishment--for at my first, unaccustomed glance, instead of the rouged and powdered face, and dyed hair, which to me had been the only unpleasant things about Lillian Underwood, the face of an old woman looked at me, and the hair above it was gray! There were the remnants of great youthful beauty in Lillian's face. Nay, more, there were wonderful possibilities when the present crisis in her life, whatever it might be, should have passed. But the effect of the change in her was staggering. "Awful, isn't it?" she said, coming up to me. "No, don't lie to me," as she saw a confused, merciful denial rise to my lips. "There are mirrors everywhere, you know. There's one comfort, I can't possibly ever look any worse than I do now, and when my hair gets over the effect of its long years of dyeing, and my present emotional crisis becomes less tense I probably shall not be such a fright. But oh, my dear, how glad I am to be with you. I need you so much just now." She put her head on my shoulder as a homesick child might have done, and I felt her draw two or three long, shuddering breaths, the dry sobs which take the place of tears in the rare moments when Lillian Underwood gives way to emotion. I stroked her hair with tender, pitiful fingers, noticing as I did so what ravages her foolish treatment of her hair had made in tresses that must once have been beautiful. Originally of the blonde tint she had tried to preserve, her locks were now an ugly mixture of dull drab and gray. As I stood looking down at the head pillowed against my shoulder I realized what this transformation in Lillian must mean to Harry Underwood. He it was who had always insisted that she follow the example of the gay Bohemian crowd of which he was a leader, and disguise her fleeting youth, with dye and rouge. It was to please him, or, as she once expressed it to me, "to play the game fairly with Harry" that she outraged her own instincts, her sense of what was decent and becoming, and constantly made up her face into a mask like that of a woman of the half-world. No one could deny that it disguised her real age, but her bes
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