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nd I, moving in a sort of bewildered dream, found ourselves ascending one of these walks. At its end was another doorway and, beyond, a great room, with more elevators and a mosaic floor, and mahogany and gilt and gorgeousness, and silk and broadcloth and satin. Hephzy gasped and stopped short. "It IS a mistake, Hosy!" she cried. "Where is the steamer?" I smiled. I felt almost as "green" and bewildered as she, but I tried not to show my feelings. "It is all right, Hephzy," I answered. "This is the steamer. I know it doesn't look like one, but it is. This is the 'Plutonia' and we are on board at last." Two hours later we leaned together over the rail and watched the lights of New York grow fainter behind us. Hephzibah drew a deep breath. "It is so," she said. "It is really so. We ARE, aren't we, Hosy." "We are," said I. "There is no doubt of it." "I wonder what will happen to us before we see those lights again." "I wonder." "Do you think HE--Do you think Little Frank--" "Hephzy," I interrupted, "if we are going to bed at all before morning, we had better start now." "All right, Hosy. But you mustn't say 'go to bed.' Say 'turn in.' Everyone calls going to bed 'turning in' aboard a vessel." CHAPTER V In Which We View, and Even Mingle Slightly with, the Upper Classes It is astonishing--the ease with which the human mind can accustom itself to the unfamiliar and hitherto strange. Nothing could have been more unfamiliar or strange to Hephzibah and me than an ocean voyage and the "Plutonia." And yet before three days of that voyage were at an end we were accustomed to both--to a degree. We had learned to do certain things and not to do others. Some pet illusions had been shattered, and new and, at first, surprising items of information had lost their newness and come to be accepted as everyday facts. For example, we learned that people in real life actually wore monocles, something, which I, of course, had known to be true but which had seemed nevertheless an unreality, part of a stage play, a "dress-up" game for children and amateur actors. The "English swell" in the performances of the Bayport Dramatic Society always wore a single eyeglass, but he also wore Dundreary whiskers and clothes which would have won him admittance to the Home for Feeble-Minded Youth without the formality of an examination. His "English accent" was a combination of the East Bayport twang and an Irish brogu
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