them with flying
hands.

She was, for the first time, cut off from the gossip of the Palace.
The Archduchess let her severely alone. She disliked having anything
interfere with her own comfort, disliked having her routine disturbed.
But the Countess surmised a great deal. She guessed that Hedwig would
defy them, and that they would break her spirit with high words. She
surmised preparations for a hasty marriage--how hasty she dared not
think. And she guessed, too, the hopeless predicament of Nikky Larisch.

She sat and stared ahead.

During the afternoon came a package, rather unskillfully tied with a
gilt cord. Opening it, the Countess disclosed a glove-box of wood, with
a design of rather shaky violets burnt into the cover. Inside was a
note:

I am very sorry you are sick. This is to put your gloves in
when you travel. Please excuse the work. I have done it in
a hurry.
FERDINAND WILLIAM OTTO.

Suddenly the Countess laughed, choking hysterical laughter that alarmed
Minna; horrible laughter, which left her paler than ever, and gasping.

The old castle of the Loscheks looked grim and inhospitable when she
reached it that, night. Built during the years when the unbeliever
overran southern Europe, it stood in a commanding position over a
valley, and a steep, walled road led up to it. The narrow windows of its
turrets were built, in defiance of the Moslem hordes, in the shape
of the cross. Its walls had been hospitable enough, however, when the
crusaders had thronged by to redeem the Holy Sepulcher from the grasp
of the infidel. Here, in its stone hall, they had slept in weary rows on
the floor. From its battlements they had stared south and east along the
road their feet must follow.

But now, its ancient glory and good repute departed, its garrison
gone, its drawbridge and moat things of the past, its very hangings and
furnishings mouldering from long neglect, it hung over the valley, a
past menace, an empty threat.

To this dreary refuge the Countess had fled. She wanted the silence of
its still rooms in which to think. Wretched herself, its wretchedness
called her. As the carriage which had brought her from, the railway
turned into its woods; and she breathed the pungent odor of pine and
balsam, she relaxed for the first time.

Why was she so hopeless? She could escape.

She knew the woods well. None who followed her could know them so well.
She would get away,