and see and touch him to be sure that he was
not.
He had directed, in great part, the moveable embellishments of the seven
chambers, upon occasion of this great fete; and it was his own guiding
taste which had given character to the masqueraders. Be sure they
were grotesque. There were much glare and glitter and piquancy and
phantasm--much of what has been since seen in "Hernani." There were
arabesque figures with unsuited limbs and appointments. There were
delirious fancies such as the madman fashions. There was much of the
beautiful, much of the wanton, much of the bizarre, something of the
terrible, and not a little of that which might have excited disgust.
To and fro in the seven chambers there stalked, in fact, a multitude of
dreams. And these--the dreams--writhed in and about, taking hue from the
rooms, and causing the wild music of the orchestra to seem as the echo
of their steps. And, anon, there strikes the ebony clock which stands in
the hall of the velvet. And then, for a moment, all is still, and all is
silent save the voice of the clock. The dreams are stiff-frozen as they
stand. But the echoes of the chime die away--they have endured but an
instant--and a light, half-subdued laughter floats after them as they
depart. And now again the music swells, and the dreams live, and writhe
to and fro more merrily than ever, taking hue from the many-tinted
windows through which stream the rays from the tripods. But to the
chamber which lies most westwardly of the seven, there are now none of
the maskers who venture; for the night is waning away; and there flows a
ruddier light through the blood-colored panes; and the blackness of the
sable drapery appals; and to him whose foot falls upon the sable carpet,
there comes from the near clock of ebony a muffled peal more solemnly
emphatic than any which reaches their ears who indulge in the more
remote gaieties of the other apartments.
But these other apartments were densely crowded, and in them beat
feverishly the heart of life. And the revel went whirlingly on, until at
length there commenced the sounding of midnight upon the clock. And then
the music ceased, as I have told; and the evolutions of the waltzers
were quieted; and there was an uneasy cessation of all things as before.
But now there were twelve strokes to be sounded by the bell of the
clock; and thus it happened, perhaps, that more of thought crept, with
more of time, into the meditations of the thoughtfu
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