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yes was a ferocious desire to seize her and again try to conquer and to possess. She had become almost unconscious of his presence. He startled her by suddenly crying, "Oh, you go to hell!" and flinging from the room, crashing the door shut behind him. Maud had grown tired of the haberdasher's clerk and his presumptions upon her frank fondness which he wholly misunderstood. She had dropped him for a rough looking waiter-singer in a basement drinking place. He was beating her and taking all the money she had for herself, and was spending it on another woman, much older than Maud and homely--and Maud knew, and complained of him bitterly to everyone but himself. She was no longer hanging round Susan persistently, having been discouraged by the failure of her attempts at intimacy with a girl who spent nearly all her spare time at reading or at plays and concerts. Maud was now chumming with a woman who preyed upon the patrons of a big Broadway hotel--she picked them up near the entrance, robbed them, and when they asked the hotel detectives to help them get back their stolen money, the detectives, who divided with her, frightened them off by saying she was a mulatto and would compel them to make a public appearance against her in open court. This woman, older and harder than most of the girls, though of quiet and refined appearance and manner, was rapidly dragging Maud down. Also, Maud's looks were going because she ate irregularly all kinds of trash, and late every night ate herself full to bursting and drank herself drunk to stupefaction. Susan's first horror of the men she met--men of all classes--was rapidly modified into an inconsistent, therefore characteristically human, mingling of horror and tolerance. Nobody, nothing, was either good or bad, but all veered like weathercocks in the shifting wind. She decided that people were steadily good only where their lot happened to be cast in a place in which the good wind held steadily, and that those who were usually bad simply had the misfortune to have to live where the prevailing winds were bad. For instance, there was the handsome, well educated, well mannered young prize-fighter, Ned Ballou, who was Estelle's "friend." Ballou, big and gentle and as incapable of bad humor as of constancy or of honesty about money matters, fought under the name of Joe Geary and was known as Upper Cut Joe because usually, in the third round, never later than the fifth
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