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Florence: Bargello 174 FRANCESCO SALVIATI (FRANCESCO DE' ROSSI) The Deposition Florence: S. Croce, the Refectory 180 FRANCESCO DAL PRATO Medal of Pope Clement VII. London: British Museum 190 GIUSEPPE DEL SALVIATI (GIUSEPPE PORTA) The Reconciliation of Pope Alexander III and Frederick Barbarossa Rome: The Vatican, Sala Regia 192 DANIELLO RICCIARELLI The Descent from the Cross Rome: SS. Trinita dei Monti 200 DANIELLO RICCIARELLI The Massacre of the Innocents Florence: Uffizi, 1107 208 FEDERIGO ZUCCHERO Portrait of the Artist Florence: Uffizi, 270 226 BASTIANO DA SAN GALLO, CALLED ARISTOTILE LIFE OF BASTIANO DA SAN GALLO, CALLED ARISTOTILE, PAINTER AND SCULPTOR OF FLORENCE When Pietro Perugino, by that time an old man, was painting the altar-piece of the high-altar of the Servites at Florence, a nephew of Giuliano and Antonio da San Gallo, called Bastiano, was placed with him to learn the art of painting. But the boy had not been long with Perugino, when he saw the manner of Michelagnolo in the cartoon for the Hall, of which we have already spoken so many times, in the house of the Medici, and was so struck with admiration, that he would not return any more to Pietro's workshop, considering that his manner, beside that of Buonarroti, was dry, petty, and by no means worthy to be imitated. And since, among those who used to go to paint that cartoon, which was for a time the school of all who wished to attend to painting, the most able of all was held to be Ridolfo Ghirlandajo, Bastiano chose him as his companion, in order to learn colouring from him, and so they became fast friends. But not ceasing therefore to give his attention to that cartoon and to work at those nudes, Bastiano copied all together in a little cartoon the whole composition of that mass of figures, which not one of all those who had worked at it had ever drawn as a whole. And since he applied himself to it with all the earnestness that was in him, it proved that he was afterwards able on any occasion to render an account of the attitudes, musc
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