FREE BOOKS

Author's List




PREV.   NEXT  
|<   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183  
184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   >>  
ition to our stock of knowledge of those times. The literary style of this piece of writing shows Lord Shelburne to have had in him the making of a successful memoirist. Gossip, anecdote, passages of sarcasm and epigram are mingled in skillful proportions; and there is certainly no waste of the milk of human kindness. Pitt (Lord Chatham) is dissected with ruthless elaboration: half a dozen minor statesmen are scarified with a single sentence apiece. Horace Walpole himself, with all his sinister acidity, nowhere hits harder--we had almost said more bitterly--than does Lord Shelburne in this short sketch of his. But just as an English House of Commons loves nothing so well as a "personal explanation," so the personalities of literature have a way of attracting us in the direct ratio of their piquancy and severity. Lord Shelburne has quite a gift of killing two birds with one stone in his trenchant criticisms. He cannot crush George III.'s father without demolishing poor Lord Melcombe _en passant_. "The prince's life (he says) may be judged in some degree from the account given of it in Lord Melcombe's diary--a man who passed his life with great men whom he did not know, and in the midst of affairs which he never comprehended, but recites facts from which others may draw deductions which he never could. The prince's activity could only be equaled by his childishness and his falsehood. His life was such a tissue of both as could only serve to show that there is nothing which mankind will not put up with where power is lodged." The elder Pitt--with whom, it will be remembered, Lord Shelburne acted in the memorable events that immediately preceded and accompanied the beginning of the war of independence--comes in for his full share of severe animadversion, but the portrait is undeniably vigorous and alive. Here is a specimen: "It was the fashion to say that Mr. Pitt was insolent, impetuous, romantic, a despiser of money, intrigue and patronage, ignorant of the characters of men, and one who disregarded consequences. Nothing could be less just than the whole of this, which may be judged by the leading features of his life, without relying on any private testimony. He certainly was above avarice, but as to anything else, he only repressed his desires and acted; he was naturally ostentatious to a degree of ridicule; profuse in his house and family beyond what any degree of prudence could warrant. His marriage certainly had no s
PREV.   NEXT  
|<   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183  
184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   >>  



Top keywords:

Shelburne

 

degree

 

judged

 

prince

 
Melcombe
 
remembered
 

memorable

 

lodged

 

events

 

independence


immediately

 
preceded
 

accompanied

 

beginning

 
knowledge
 

deductions

 
activity
 
comprehended
 
writing
 

recites


equaled

 

literary

 
severe
 

tissue

 

childishness

 
falsehood
 

mankind

 

animadversion

 
avarice
 
repressed

testimony
 

private

 
features
 
relying
 

desires

 

naturally

 

prudence

 

warrant

 
marriage
 

family


ostentatious

 
ridicule
 

profuse

 

leading

 

fashion

 

insolent

 

specimen

 

portrait

 

undeniably

 

vigorous