s all torn and gory--shall I tell the fearful story,
How they surged above the breastwork, as a sea breaks over a deck;
How, driven, yet scarce defeated, our worn-out men retreated,
With their powder-horns all emptied, like the swimmers from a wreck?

It has all been told and painted; as for me, they say I fainted,
And the wooden-legged old Corporal stumped with me down the stair:
When I woke from dreams affrighted the evening lamps were lighted,--
On the floor a youth was lying; his bleeding breast was bare.

And I heard through all the flurry, "Send for WARREN! hurry! hurry!
Tell him here's a soldier bleeding, and he 'll come and dress his
wound!"
Ah, we knew not till the morrow told its tale of death and sorrow,
How the starlight found him stiffened on the dark and bloody ground.

Who the youth was, what his name was, where the place from which he came
was,
Who had brought him from the battle, and had left him at our door,
He could not speak to tell us; but 't was one of our brave fellows,
As the homespun plainly showed us which the dying soldier wore.

For they all thought he was dying, as they gathered round him crying,--
And they said, "Oh, how they'll miss him!" and, "What will his mother
do?"
Then, his eyelids just unclosing like a child's that has been dozing,
He faintly murmured, "Mother!"--and--I saw his eyes were blue.

"Why, grandma, how you 're winking!" Ah, my child, it sets me thinking
Of a story not like this one. Well, he somehow lived along;
So we came to know each other, and I nursed him like a--mother,
Till at last he stood before me, tall, and rosy-checked, and strong.

And we sometimes walked together in the pleasant summer weather,--
"Please to tell us what his name was?" Just your own, my little dear,--
There's his picture Copley painted: we became so well acquainted,
That--in short, that's why I 'm grandma, and you children all are here!

AT THE "ATLANTIC" DINNER

DECEMBER 15, 1874

I SUPPOSE it's myself that you're making allusion to
And bringing the sense of dismay and confusion to.
Of course some must speak,--they are always selected to,
But pray what's the reason that I am expected to?
I'm not fond of wasting my breath as those fellows do;
That want to be blowing forever as bellows do;
Their legs are uneasy, but why will you jog any
That long to stay quiet beneath the mahogany?

Why, why call me up with your battery of flatteries?
You say "He writes poetry,"