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y them. But when it is intimated that all this is necessarily and inevitably so, I repel the insinuation. Do not gentlemen know that the names of certain actors are associated with all that is pure in character and noble in purpose? Were Garrick and Siddons men of corrupt lives, unworthy to hold an honorable place in society? Who can point to the first line or word ever penned to stigmatize these men? So long as we can refer to them as pure and upright actors, it will be true that corruption does not necessarily belong to the stage. "I would have intoxicating drinks forever excluded from the theatre, and every possible measure adopted to prevent moral corruption of every kind. I would take the play out of the hands of the base and profligate, and give it to those who are virtuous and true. I would expunge every profane and vulgar word and thought from both tragedy and comedy, leaving nothing that is unfit to be said in the ear of the purest men and women, and then I see not why the stage might not become a medium of innocent pleasure, and intellectual culture. It is bad now, because it is in the hands of bad men. When the virtuous control it, we may expect that its character will be changed. "When it is said, as it has been on this floor to-night, that nothing good can be learned at a theatre, even as it is at the present time, I must beg to dissent from the opinion. I can testify from actual experience, that much can be learned there of human nature, and much that belongs to the art of speaking. I do not say that many people go to the theatre to learn these things, but I do say they might learn them if they would. Even admitting that the baser side of human nature alone is seen on the stage, a man may learn something from that if he will. As in the low groggery, a pure man may behold to what awful degradation the use of strong drink may reduce its victims, and derive therefrom an argument for temperance that is irresistible, so the exhibitions of the stage may show a pure-minded man how revolting he may become by yielding to the power of his lowest appetites and passions. If he visits such a drinking place to minister to a depraved appetite, and carouse with others, he will go to ruin himself; but if he goes there to acquire the knowledge to which I have referred, he will make a valuable accession to his information and principles. In like manner, if a person goes to the theatre simply to be amused, or for a more di
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