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lamps or vases, square stools on four legs united by crossbars, armchairs with lions' claw feet, resembling the Egyptian armchairs in outline, and making us ask if they were brought into Chaldaea by caravans, or made from models which had come from some other country. A few rare objects of artistic character might be found, which bore witness to a certain taste for elegance and refinement; as, for instance, a kind of circular trough of black stone, probably used to support a vase. Three rows of imbricated scales surrounded the base of this, while seven small sitting figures lean back against the upper part with an air of satisfaction which is most cleverly rendered. The decoration of the larger chambers used for public receptions and official ceremonies, while never assuming the monumental character which we observe in contemporary Egyptian buildings, afforded more scope for richness and variety than was offered by the living-rooms. [Illustration: 258.jpg STAND OF BLACK STONE FROM THE PALACE OF TELLOH.] Drawn by Faucher-Gudin, from Heuzey-Sarzec. Small tablets of brownish limestone, let into the wall or affixed to its surface by terra-cotta pegs, and decorated with inscriptions, represented in a more or less artless fashion the figure of the sovereign officiating before some divinity, while his children and servants took part in the ceremony by their chanting. Inscribed bricks celebrating the king's exploits were placed here and there in conspicuous places. These were not embedded like the others in two layers of bitumen or lime, but were placed in full view upon bronze statues of divinities or priests, fixed into the ground or into some part of the masonry as magical nails destined to preserve the bricks from destruction, and consequently to keep the memory of the dedicator continually before posterity. Stelaa engraved on both sides recalled the wars of past times, the battle-field, the scenes of horror which took place there, and the return of the victor and his triumph. Sitting or standing figures of diorite, silicious sandstone or hard limestone, bearing inscriptions on their robes or shoulders, perpetuated the features of the founder or of members of his family, and commemorated the pious donations which had obtained for him the favour of the gods: the palace of Lagash contained dozens of such statues, several of which have come down to us almost intact--one of the ancient Urbau, and nine of Gudea. To
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