lamps or vases, square stools on four legs united by crossbars,
armchairs with lions' claw feet, resembling the Egyptian armchairs
in outline, and making us ask if they were brought into Chaldaea by
caravans, or made from models which had come from some other country.
A few rare objects of artistic character might be found, which bore
witness to a certain taste for elegance and refinement; as, for
instance, a kind of circular trough of black stone, probably used to
support a vase. Three rows of imbricated scales surrounded the base of
this, while seven small sitting figures lean back against the upper
part with an air of satisfaction which is most cleverly rendered.
The decoration of the larger chambers used for public receptions and
official ceremonies, while never assuming the monumental character which
we observe in contemporary Egyptian buildings, afforded more scope for
richness and variety than was offered by the living-rooms.
[Illustration: 258.jpg STAND OF BLACK STONE FROM THE PALACE OF TELLOH.]
Drawn by Faucher-Gudin, from Heuzey-Sarzec.
Small tablets of brownish limestone, let into the wall or affixed to
its surface by terra-cotta pegs, and decorated with inscriptions,
represented in a more or less artless fashion the figure of the
sovereign officiating before some divinity, while his children and
servants took part in the ceremony by their chanting. Inscribed
bricks celebrating the king's exploits were placed here and there in
conspicuous places. These were not embedded like the others in two
layers of bitumen or lime, but were placed in full view upon bronze
statues of divinities or priests, fixed into the ground or into some
part of the masonry as magical nails destined to preserve the bricks
from destruction, and consequently to keep the memory of the dedicator
continually before posterity. Stelaa engraved on both sides recalled the
wars of past times, the battle-field, the scenes of horror which took
place there, and the return of the victor and his triumph. Sitting
or standing figures of diorite, silicious sandstone or hard limestone,
bearing inscriptions on their robes or shoulders, perpetuated the
features of the founder or of members of his family, and commemorated
the pious donations which had obtained for him the favour of the gods:
the palace of Lagash contained dozens of such statues, several of which
have come down to us almost intact--one of the ancient Urbau, and nine
of Gudea.
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