nature, the most complete in all
its lineaments." Dandie is always delightful,--whether at Mumps's Hall,
or on the lonely moor, or at home in Charlieshope, or hunting, or
leistering fish, or entering terriers at vermin, or fighting, or going to
law, or listening to the reading of a disappointing will, or entertaining
the orphan whom others neglect; always delightful he is, always generous,
always true, always the Border farmer. There is no better stock of men,
none less devastated by "the modern spirit." His wife is worthy of him,
and has that singular gentleness, kindliness, and dignity which prevail
on the Border, even in households far less prosperous than that of Dandie
Dinmont.--[Dr. John Brown's Ailie, in "Rab and his Friends," will
naturally occur to the mind of every reader.]
Among Scott's "character parts," or types broadly humorous, few have been
more popular than Dominie Sampson. His ungainly goodness, unwieldy
strength, and inaccessible learning have made great sport, especially
when "Guy Mannering" was "Terryfied" for the stage.
As Miss Bertram remarks in that singular piece,--where even Jock Jabos
"wins till his English," like Elspeth in the Antiquary,--the Dominie
"rather forces a tear from the eye of sentiment than a laugh from the
lungs of ribaldry." In the play, however, he sits down to read a folio on
some bandboxes, which, very naturally, "give way under him." As he has
just asked Mrs. Mac-Candlish after the health of both her husbands, who
are both dead, the lungs of ribaldry are more exercised than the fine eye
of sentiment. We scarcely care to see our Dominie treated thus. His
creator had the very lowest opinion of the modern playwright's craft, and
probably held that stage humour could not be too palpable and practical.
Lockhart writes (v. 130): "What share the novelist himself had in this
first specimen of what he used to call 'the art of Terryfying' I cannot
exactly say; but his correspondence shows that the pretty song of the
'Lullaby' was not his only contribution to it; and I infer that he had
taken the trouble to modify the plot and rearrange for stage purposes a
considerable part of the original dialogue." Friends of the Dominie may
be glad to know, perhaps on Scott's own testimony, that he was an alumnus
of St. Andrews. "I was boarded for twenty pence a week at Luckie
Sour-kail's, in the High Street of St. Andrews." He was also fortunate
enough to hold a bursary in St. Leonard's Colleg
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