t the color and pattern that suited my rooms,
than labor along with one ill-chosen velvet that harmonized with
nothing."
"I give it up," said Jennie; "I give it up."
"Now, understand me," said I; "I am not traducing velvet or Brussels or
Axminster. I admit that more beautiful effects can be found in those
goods than in the humbler fabrics of the carpet-rooms. Nothing would
delight me more than to put an unlimited credit to Marianne's account,
and let her work out the problems of harmonious color in velvet and
damask. All I have to say is, that certain unities of color, certain
general arrangements, will secure very nearly as good general effects in
either material. A library with a neat, mossy green carpet on the floor,
harmonizing with wall-paper and furniture, looks generally as well,
whether the mossy green is made in Brussels or in ingrain. In the
carpet-stores, these two materials stand side by side in the very same
pattern, and one is often as good for the purpose as the other. A lady
of my acquaintance, some years since, employed an artist to decorate her
parlors. The walls being frescoed and tinted to suit his ideal, he
immediately issued his decree that her splendid velvet carpets must be
sent to auction, and others bought of certain colors, harmonizing with
the walls. Unable to find exactly the color and pattern he wanted, he at
last had the carpets woven in a neighboring factory, where, as yet, they
had only the art of weaving ingrains. Thus was the material sacrificed
at once to the harmony."
I remarked, in passing, that this was before Bigelow's mechanical genius
had unlocked for America the higher secrets of carpet-weaving, and made
it possible to have one's desires accomplished in Brussels or velvet. In
those days, English carpet-weavers did not send to America for their
looms, as they now do.
"But now to return to my analysis of John's rooms.
"Another thing which goes a great way towards giving them their
agreeable air is the books in them. Some people are fond of treating
books as others do children. One room in the house is selected, and
every book driven into it and kept there. Yet nothing makes a room so
home-like, so companionable, and gives it such an air of refinement, as
the presence of books. They change the aspect of a parlor from that of a
mere reception-room, where visitors perch for a transient call, and give
it the air of a room where one feels like taking off one's things to
sta
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