wretch! to have no other design in his addresses and
assiduities to Miss Temple, but to give a greater air of probability to
the calumnies with which he has loaded her. You look upon me with
astonishment, and seem to doubt the truth of what I advance; but I do not
desire you to believe me without evidence: 'Here,' said she, drawing a
paper out of her pocket, 'see what a copy of verses he has made in your
praise, while he lulls your credulity to rest, by flattering speeches and
feigned respect.'"

After saying this, the perfidious Hobart showed her half-a-dozen couplets
full of strained invective and scandal, which Rochester had made against
the former maids of honour. This severe and cutting lampoon was
principally levelled against Miss Price, whose person he took to pieces
in the most frightful and hideous manner imaginable. Miss Hobart had
substituted the name of Temple instead of Price, which she made to agree
both with the measure and tune of the song. This effectually answered
Hobart's intentions: the credulous Temple no sooner heard her sing the
lampoon, but she firmly believed it to be made upon herself; and in the
first transports of her rage, having nothing so much at heart as to give
the lie to the fictions of the poet: "Ah! as for this, my dear Hobart,"
said she, "I can bear it no longer: I do not pretend to be so handsome as
some others; but as for the defects that villain charges me with, I dare
say, my dear Hobart, there is no woman more free from them: we are alone,
and I am almost inclined to convince you by ocular demonstration." Miss
Hobart was too complaisant to oppose this motion; but, although she
soothed her mind by extolling all her beauties, in opposition to Lord
Rochester's song, Miss Temple was almost driven to distraction by rage
and astonishment, that the first man she ever attended to should, in his
conversation with her, not even make use of a single word of truth, but
that he should likewise have the unparalleled cruelty falsely to accuse
her of defects; and not being able to find words capable of expressing
her anger and resentment, she began to weep like a child.

Miss Hobart used all her endeavours to comfort her, and chid her for
being so much hurt with the invectives of a person whose scandalous
impostures were too well known to make any impression: she however
advised her never to speak to him any more, for that was the only method
to disappoint his designs; that contempt and silence