caused the Greek Government to look upon us as rogues and
liars, the girl is suspected; and I for one don't mean to give in before
we've secured a nice, snug little sum."
"How are we to do it?"
"By obtaining knowledge of the game being played in Paris, and working
in an opposite direction," Flockart replied. "We are agreed upon one
point: that for the past few years, ever since Goslin came on the scene,
Sir Henry's business--a big one, there is no doubt--has been of a
mysterious and therefore shady character. By his confidence in
Gabrielle, his care that nobody ever got a chance inside that safe, his
regular consultations with Goslin (who travelled from Paris specially to
see him), his constant telegrams in cipher, and his refusal to allow
even his wife to obtain the slightest inkling into his private affairs,
it is shown that he fears exposure. Do you agree?"
"Most certainly I do."
"Well, any man who is in dread of the truth becoming known must be
carrying on some negotiations the reverse of creditable. He is the
moving spirit of that shady house, without a doubt," declared Flockart,
who had so often grasped the blind man's hand in friendship. "In such
fear that his transactions should become known, and that exposure might
result, he actually had prepared documents on purpose to mislead those
who pried into his affairs. Therefore, the instant we discover the
truth, fortune will be at our hand. We all want money, you, I, and Lady
Heyburn--and money we'll have."
"With these sentiments, my dear friend, I entirely and absolutely
agree," remarked the shabby man, lighting a fresh cigarette. "But one
fact you seem to have entirely overlooked."
"What?"
"The girl. She stands between you, and she might come back into the old
man's favour, you know."
"And even though she did, that makes no difference," Flockart answered
defiantly.
"Why?"
"Because she dare not say a single word against me."
Krail looked him straight in the face with considerable surprise, but
made no comment.
"She knows better," Flockart added.
"Never believe too much in your own power with a woman, _mon cher ami_,"
remarked the other dubiously. "She's young, therefore of a romantic turn
of mind. She's in love, remember, which makes matters much worse for
us."
"Why?"
"Because, being in love, she may become seized with a sentimental fit.
This ends generally in a determination of self-sacrifice; and in such
case she would tell t
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