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i?" she asked, throwing down her tools with a petulant gesture and a dejected air. "He is probably playing truant in the empty upper rooms, as usual. I can't wait for him any longer, so I'm doing his work myself," answered Miss Dickenson, who was tenderly winding a wet bandage round her Juno's face, one side of which was so much plumper than the other that it looked as if the Queen of Olympus was being hydropathically treated for a severe fit of ague. "I'll go and find the little scamp; a run will do me good; so will a breath of air and a view of the park from the upper windows." Doffing her apron, Psyche strolled away up an unfrequented staircase to the empty apartments, which seemed to be too high even for the lovers of High Art. On the western side they were shady and cool, and, leaning from one of the windows, Psyche watched the feathery tree-tops ruffled by the balmy wind, that brought spring odors from the hills, lying green and sunny far away. Silence and solitude were such pleasant companions that the girl forgot herself, till a shrill whistle disturbed her day-dreams, and reminded her what she came for. Following the sound she found the little Italian errand-boy busily uncovering a clay model which stood in the middle of a scantily furnished room near by. "He is not here; come and look; it is greatly beautiful," cried Giovanni, beckoning with an air of importance. Psyche did look and speedily forgot both her errand and herself. It was the figure of a man, standing erect, and looking straight before him with a wonderfully lifelike expression. It was neither a mythological nor a historical character, Psyche thought, and was glad of it, being tired to death of gods and heroes. She soon ceased to wonder what it was, feeling only the indescribable charm of something higher than beauty. Small as her knowledge was, she could see and enjoy the power visible in every part of it; the accurate anatomy of the vigorous limbs, the grace of the pose, the strength and spirit in the countenance, clay though it was. A majestic figure, but the spell lay in the face, which, while it suggested the divine, was full of human truth and tenderness, for pain and passion seemed to have passed over it, and a humility half pathetic, a courage half heroic seemed to have been born from some great loss or woe. How long she stood there Psyche did not know. Giovanni went away unseen, to fill his water-pail, and in the silence she j
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