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The Project Gutenberg EBook of The Trojan women of Euripides, by Euripides This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Trojan women of Euripides Author: Euripides Release Date: November 16, 2003 [EBook #10096] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TROJAN WOMEN OF EURIPIDES *** Produced by Juliet Sutherland, Ted Garvin, L Barber and the Online Distributed Proofreading Team THE TROJAN WOMEN OF EURIPIDES TRANSLATED INTO ENGLISH RHYMING VERSE WITH EXPLANATORY NOTES BY GILBERT MURRAY, LL.D., D.LITT. REGIUS PROFESSOR OF GREEK IN THE UNIVERSITY OF OXFORD 1915 THE TROJAN WOMEN In his clear preface, Gilbert Murray says with truth that _The Trojan Women_, valued by the usage of the stage, is not a perfect play. "It is only the crying of one of the great wrongs of the world wrought into music." Yet it is one of the greater dramas of the elder world. In one situation, with little movement, with few figures, it flashes out a great dramatic lesson, the infinite pathos of a successful wrong. It has in it the very soul of the tragic. It even goes beyond the limited tragic, and hints that beyond the defeat may come a greater glory than will be the fortune of the victors. And thus through its pity and terror it purifies our souls to thoughts of peace. Great art has no limits of locality or time. Its tidings are timeless, and its messages are universal. _The Trojan Women_ was first performed in 415 B.C., from a story of the siege of Troy which even then was ancient history. But the pathos of it is as modern to us as it was to the Athenians. The terrors of war have not changed in three thousand years. Euripides had that to say of war which we have to say of it to-day, and had learned that which we are even now learning, that when most triumphant it brings as much wretchedness to the victors as to the vanquished. In this play the great conquest "seems to be a great joy and is in truth a great misery." The tragedy of war has in no essential altered. The god Poseidon mourns over Troy as he might over the cities of to-day, when he cries: "How are ye blind, Ye treaders down of cities, ye that cast Temples t
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