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1853. The next edition of the _Theatre Complet_, in 1855, reinstated the prefaces. It was not until 1865 that _Mercadet_ joined the other four in a single volume published by Mme. Houssiaux. _Vautrin_, a drama in five acts, was presented for the first time in the Porte-Saint-Martin theatre, March 14, 1840. The preface, dated May 1, 1840, was not ready in time for the printing of the first edition, which was a small octavo volume published by Delloye & Tresse. It appeared in the second edition, two months later. The dedication was to Laurent-Jan. [See "Jan" in Repertory.] The play was a distinct failure, but its construction and temper combine to explain this. At the same time it makes interesting reading; and it will prove especially entertaining to readers of the _Comedie Humaine_ who have dreaded and half-admired the redoubtable law-breaker, who makes his initial entrance in _Le Pere Goriot_ and plays so important a part in _Illusions Perdues_, and _Splendeurs et Miseres des Courtisanes_. Here we find Vautrin in a favorite situation. He becomes the powerful protector of an unknown young man--much as he picked up Lucien de Rubempre in _Illusions Perdues_, and attempted to aid Rastignac in _Le Pere Goriot_--and devotes all his sinister craft to his protege's material interests. The playwright is careful to preserve some degree of the young man's self-respect. Chance favors the two by providing the unknown hero with worthy parents; and Vautrin's schemes unexpectedly work out for good. As in the story of _Pere Goriot_ again, Vautrin, after furthering matrimonial deals and other quasi-benevolent projects, ends in the clutches of the law. Of Raoul little need be said. He is the foil for his dread protector and he is saved from dishonor by a narrow margin. The scene is laid at Paris, just after the second accession of the House of Bourbon, in 1816. Titles and families are in some confusion on account of the change of dynasties. It is therefore an opportune time for Vautrin to manufacture scutcheons as occasion may demand. Since this story of Vautrin is not included in the _Comedie_, it will not be found among the biographical facts recorded in the _Repertory_. _Les Ressources de Quinola_, a comedy in a prologue and five acts, was presented at the Theatre de l'Odeon, Paris, March 19, 1842. Souverain published it in an octavo volume. Balzac was disposed to complain bitterly of the treatment this play received (note his pre
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