the green corn-fields and walnut-trees of
the Hall Farm; but apparently there was more interest for him in the
living groups close at hand. Every generation in the village was there,
from old "Feyther Taft" in his brown worsted night-cap, who was bent
nearly double, but seemed tough enough to keep on his legs a long while,
leaning on his short stick, down to the babies with their little round
heads lolling forward in quilted linen caps. Now and then there was a
new arrival; perhaps a slouching labourer, who, having eaten his supper,
came out to look at the unusual scene with a slow bovine gaze, willing
to hear what any one had to say in explanation of it, but by no means
excited enough to ask a question. But all took care not to join the
Methodists on the Green, and identify themselves in that way with the
expectant audience, for there was not one of them that would not have
disclaimed the imputation of having come out to hear the "preacher
woman"--they had only come out to see "what war a-goin' on, like." The
men were chiefly gathered in the neighbourhood of the blacksmith's shop.
But do not imagine them gathered in a knot. Villagers never swarm: a
whisper is unknown among them, and they seem almost as incapable of an
undertone as a cow or a stag. Your true rustic turns his back on his
interlocutor, throwing a question over his shoulder as if he meant to
run away from the answer, and walking a step or two farther off when the
interest of the dialogue culminates. So the group in the vicinity of the
blacksmith's door was by no means a close one, and formed no screen in
front of Chad Cranage, the blacksmith himself, who stood with his black
brawny arms folded, leaning against the door-post, and occasionally
sending forth a bellowing laugh at his own jokes, giving them a
marked preference over the sarcasms of Wiry Ben, who had renounced the
pleasures of the Holly Bush for the sake of seeing life under a new
form. But both styles of wit were treated with equal contempt by Mr.
Joshua Rann. Mr. Rann's leathern apron and subdued griminess can leave
no one in any doubt that he is the village shoemaker; the thrusting out
of his chin and stomach and the twirling of his thumbs are more subtle
indications, intended to prepare unwary strangers for the discovery that
they are in the presence of the parish clerk. "Old Joshway," as he
is irreverently called by his neighbours, is in a state of simmering
indignation; but he has not yet op