ile was a rare sight on a field-labourer's face, and there was seldom
any gradation between bovine gravity and a laugh. Nor was every labourer
so honest as our friend Alick. At this very table, among Mr. Poyser's
men, there is that big Ben Tholoway, a very powerful thresher, but
detected more than once in carrying away his master's corn in his
pockets--an action which, as Ben was not a philosopher, could hardly be
ascribed to absence of mind. However, his master had forgiven him, and
continued to employ him, for the Tholoways had lived on the Common time
out of mind, and had always worked for the Poysers. And on the whole, I
daresay, society was not much the worse because Ben had not six months
of it at the treadmill, for his views of depredation were narrow, and
the House of Correction might have enlarged them. As it was, Ben ate his
roast beef to-night with a serene sense of having stolen nothing more
than a few peas and beans as seed for his garden since the last harvest
supper, and felt warranted in thinking that Alick's suspicious eye, for
ever upon him, was an injury to his innocence.

But NOW the roast beef was finished and the cloth was drawn, leaving
a fair large deal table for the bright drinking-cans, and the foaming
brown jugs, and the bright brass candlesticks, pleasant to behold. NOW,
the great ceremony of the evening was to begin--the harvest-song,
in which every man must join. He might be in tune, if he liked to be
singular, but he must not sit with closed lips. The movement was obliged
to be in triple time; the rest was ad libitum.

As to the origin of this song--whether it came in its actual state from
the brain of a single rhapsodist, or was gradually perfected by a school
or succession of rhapsodists, I am ignorant. There is a stamp of
unity, of individual genius upon it, which inclines me to the former
hypothesis, though I am not blind to the consideration that this unity
may rather have arisen from that consensus of many minds which was a
condition of primitive thought, foreign to our modern consciousness.
Some will perhaps think that they detect in the first quatrain
an indication of a lost line, which later rhapsodists, failing in
imaginative vigour, have supplied by the feeble device of iteration.
Others, however, may rather maintain that this very iteration is an
original felicity, to which none but the most prosaic minds can be
insensible.

The ceremony connected with the song was a drinking