ed her
gaze upon his flashing eyes, and said, in a low, firm voice--
"It is true, father, you are master here. It is easy to rule over those
poor, submissive slaves. But you are not master over yourself; you are
lashed and trampled upon by evil passions, and as much a slave as any of
these. Be not weak, my father, but strong!"
An expression of bewilderment came into his face. No such words had ever
before been addressed to him, and he knew not how to reply to them. The
Princess Helena followed up the effect--she was not sure that it was
an advantage--by an appeal to the simple, childish nature which she
believed to exist under his ferocious exterior. For a minute it seemed
as if she were about to re-establish her ascendancy: then the stubborn
resistance of the beast returned.
Among the portraits in the hall was one of the deceased Princess Martha.
Pointing to this, Helena cried--
"See, my father! here are the features of your sainted wife! Think that
she looks down from her place among the blessed, sees you, listens to
your words, prays that your hard heart may be softened! Remember her
last farewell to you on earth, her hope of meeting you--"
A cry of savage wrath checked her. Stretching one huge, bony hand, as if
to close her lips, trembling with rage and pain, livid and convulsed in
every feature of his face, Prince Alexis reversed the whip in his right
hand, and weighed its thick, heavy butt for one crashing, fatal blow.
Life and death were evenly balanced. For an instant the Princess became
deadly pale, and a sickening fear shot through her heart. She could not
understand the effect of her words: her mind was paralyzed, and what
followed came without her conscious volition.
Not retreating a step, not removing her eyes from the terrible picture
before her, she suddenly opened her lips and sang. Her voice of
exquisite purity, power, and sweetness, filled the old hall and
overflowed it, throbbing in scarcely weakened vibrations through
court-yard and castle. The melody was a prayer--the cry of a tortured
heart for pardon and repose; and she sang it with almost supernatural
expression. Every sound in the castle was hushed: the serfs outside
knelt and uncovered their heads.
The Princess could never afterwards describe, or more than dimly recall,
the exaltation of that moment. She sang in an inspired trance: from the
utterance of the first note the horror of the imminent fate sank out of
sight. Her eyes we
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