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the subject was seldom alluded to by either. Yet in that period White Violet had sent two other contributions, and on each occasion Mr. Hamlin had insisted upon increasing the honorarium to the amount of his former gift. In vain the editor pointed out the danger of this form of munificence; Mr. Hamlin retorted by saying that if he refused he would appeal to the proprietor, who certainly would not object to taking the credit of this liberality. "As to the risks," concluded Jack, sententiously, "I'll take them; and as far as you're concerned, you certainly get the worth of your money." Indeed, if popularity was an indiction, this had become suddenly true. For the poetess's third contribution, without changing its strong local color and individuality, had been an unexpected outburst of human passion--a love-song, that touched those to whom the subtler meditative graces of the poetess had been unknown. Many people had listened to this impassioned but despairing cry from some remote and charmed solitude, who had never read poetry before, who translated it into their own limited vocabulary and more limited experience, and were inexpressibly affected to find that they, too, understood it; it was caught up and echoed by the feverish, adventurous, and unsatisfied life that filled that day and time. Even the editor was surprised and frightened. Like most cultivated men, he distrusted popularity: like all men who believe in their own individual judgment, he doubted collective wisdom. Yet now that his protegee had been accepted by others, he questioned that judgment and became her critic. It struck him that her sudden outburst was strained; it seemed to him that in this mere contortion of passion the sibyl's robe had become rudely disarranged. He spoke to Hamlin, and even approached the tabooed subject. "Did you see anything that suggested this sort of business in--in--that woman--I mean in--your pilgrimage, Jack?" "No," responded Jack, gravely. "But it's easy to see she's got hold of some hay-footed fellow up there in the mountains with straws in his hair, and is playing him for all he's worth. You won't get much more poetry out of her, I reckon." Is was not long after this conversation that one afternoon, when the editor was alone, Mr. James Bowers entered the editorial room with much of the hesitation and irresolution of his previous visit. As the editor had not only forgotten him, but even, dissociated him with the poet
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