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Project Gutenberg's Myths and Marvels of Astronomy, by Richard A. Proctor This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Myths and Marvels of Astronomy Author: Richard A. Proctor Release Date: September 8, 2008 [EBook #26556] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MYTHS AND MARVELS OF ASTRONOMY *** Produced by Brenda Lewis, Scott Marusak, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note Obvious typographical errors have been corrected. A list of corrections is found at the end of the text. [Illustration: LILLY'S HIEROGLYPHS (PUBLISHED IN 1651)] MYTHS AND MARVELS OF ASTRONOMY BY RICHARD A. PROCTOR AUTHOR OF "ROUGH WAYS MADE SMOOTH," "THE EXPANSE OF HEAVEN," "OUR PLACE AMONG INFINITIES," "PLEASANT WAYS IN SCIENCE," ETC., ETC. _NEW EDITION_ LONGMANS, GREEN, AND CO. LONDON, NEW YORK, AND BOMBAY 1896 _Printed by_ BALLANTYNE, HANSON & CO _At the Ballantyne Press_ PREFACE. The chief charm of Astronomy, with many, does not reside in the wonders revealed to us by the science, but in the lore and legends connected with its history, the strange fancies with which in old times it has been associated, the half-forgotten myths to which it has given birth. In our own times also, Astronomy has had its myths and fancies, its wild inventions, and startling paradoxes. My object in the present series of papers has been to collect together the most interesting of these old and new Astronomical myths, associating with them, in due proportion, some of the chief marvels which recent Astronomy has revealed to us. To the former class belong the subjects of the first four and the last five essays of the present series, while the remaining essays belong to the latter category. Throughout I have endeavoured to avoid technical expressions on the one hand, and ambiguous phraseology (sometimes resulting from the attempt to avoid technicality) on the other. I have, in fact, sought to present my subjects as I shoul
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