as another coffin of the same
character, which has unfortunately been shifted to the north ambulatory.
It is without a cover, and the skeleton is no longer there; but the
leaden envelope remains, more or less in the state in which it was
folded round the corpse. The arched recess on the east, by the side of
the opening to the ambulatory, is supposed to have been the entrance to
the Walden Chantry; but it has been built up with a return-wall.

The triforium is continuous through all three walls of the transept,
each bay consisting of a double pointed arch, except that above the
ambulatory, where the surviving Norman fragment shows three round-headed
openings, included in a semicircular arch with billet moulding. The
clerestory in the north wall, where the work is entirely new, is
ornamented with a traceried arcading on an interior plane, which has a
very beautiful effect.

#The South Transept#, opened after restoration on 14th March, 1891, had
been turned to account as a burial-ground, supplementary to that at the
west end. The side walls were allowed to stand for the enclosure, but
the south wall was pulled down, and another erected within the space, to
separate the "Green Churchyard," as it was called, from the church. In
this case, therefore, the restoration meant little more than the removal
of the intercepting wall to open out the transept, and building a new
one at the extremity, with a partial reconstruction of those which were
decayed to connect them with it. In the renovation of both transepts
blue Bath stone has been used internally, and Portland stone with flints
for the exterior. The conservative nature of the work is here seen in
the side walls, each of which retains a bay of the old Norman triforium,
with its round-headed divisions, to which a new bay has been added, with
a slightly pointed arcade, as a connection, without any violent
contrast, between the older parts of the transept and the new south
wall. This presents an agreeable variety to that facing it in the
opposite transept. In the upper stage, instead of a triforium and
clerestory, there are three tall windows of two lights each, the central
being carried above the others, and distinguished by a more ornate
tracery, here taking a cruciform pattern above the trefoil-headed
divisions, instead of a foliated circle as in the side windows. The
arcading in which they are all placed is severely simple in character,
the slightly pointed headings resting