rocess of elevation.
I fail to frame such an hypothesis. Grant that the adults merely chuckle
over Twanyirika, whose 'voice' they themselves produce; by whirling the
wooden tundun, or bull-roarer. Grant that, on initiation, the boys learn
that 'the great spirit' is a mere bogle, invented to mystify the women,
and keep them away from the initiatory rites. How, then, did men come to
believe in _him_ as a terrible, all-seeing, all-knowing, creative, and
potent moral being? For this, undeniably, is the belief of many Australian
tribes, where his 'voice' (or rather that of his subordinate) is produced
by whirling the tundun. That these higher beliefs are of European origin,
Mr. Howitt denies. How were they evolved out of the notion of a confessed
artificial bogle? I am unable to frame a theory.
From my point of view, namely, that the higher and simple ideas may well
be the earlier, I have, at least, offered a theory of the processes by
which the lower attributes crystallised around a conception supposed
(_argumenti gratia_) to be originally high. Other processes of degradation
would come in, as (on my theory) the creed and practice of Animism, or
worship of human ghosts, often of low character, swamped and invaded the
prior belief in a fairly moral and beneficent, but not originally
spiritual, Being. My theory, at least, _is_ a theory, and, rightly or
wrongly, accounts for the phenomenon, the combination of the highest
divine and the lowest animal qualities in the same Being. But I have yet
to learn how, if the lowest myths are the earliest, the highest attributes
came in time to be conferred on the hero of the lowest myths. Why, or how,
did a silly buffoon, or a confessed 'bogle' arrive at being regarded as a
patron of such morality as had been evolved? An hypothesis of the
processes involved must be indicated. It is not enough to reply, in
general, that the rudimentary human mind is illogical and confused. That
is granted; but there must have been a method in its madness. What that
method was (from my point of view) I have shown, and it must be as easy
for opponents to set forth what, from their point of view, the method was.
We are here concerned with what, since the time of the earliest Greek
philosophers, has been the _crux_ of mythology: why are infamous myths
told about 'the Father of gods and men'? We can easily explain the nature
of the myths. They are the natural flowers of savage fancy and humour.
But wherefor
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