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rocess of elevation. I fail to frame such an hypothesis. Grant that the adults merely chuckle over Twanyirika, whose 'voice' they themselves produce; by whirling the wooden tundun, or bull-roarer. Grant that, on initiation, the boys learn that 'the great spirit' is a mere bogle, invented to mystify the women, and keep them away from the initiatory rites. How, then, did men come to believe in _him_ as a terrible, all-seeing, all-knowing, creative, and potent moral being? For this, undeniably, is the belief of many Australian tribes, where his 'voice' (or rather that of his subordinate) is produced by whirling the tundun. That these higher beliefs are of European origin, Mr. Howitt denies. How were they evolved out of the notion of a confessed artificial bogle? I am unable to frame a theory. From my point of view, namely, that the higher and simple ideas may well be the earlier, I have, at least, offered a theory of the processes by which the lower attributes crystallised around a conception supposed (_argumenti gratia_) to be originally high. Other processes of degradation would come in, as (on my theory) the creed and practice of Animism, or worship of human ghosts, often of low character, swamped and invaded the prior belief in a fairly moral and beneficent, but not originally spiritual, Being. My theory, at least, _is_ a theory, and, rightly or wrongly, accounts for the phenomenon, the combination of the highest divine and the lowest animal qualities in the same Being. But I have yet to learn how, if the lowest myths are the earliest, the highest attributes came in time to be conferred on the hero of the lowest myths. Why, or how, did a silly buffoon, or a confessed 'bogle' arrive at being regarded as a patron of such morality as had been evolved? An hypothesis of the processes involved must be indicated. It is not enough to reply, in general, that the rudimentary human mind is illogical and confused. That is granted; but there must have been a method in its madness. What that method was (from my point of view) I have shown, and it must be as easy for opponents to set forth what, from their point of view, the method was. We are here concerned with what, since the time of the earliest Greek philosophers, has been the _crux_ of mythology: why are infamous myths told about 'the Father of gods and men'? We can easily explain the nature of the myths. They are the natural flowers of savage fancy and humour. But wherefor
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