exquisitely cared for and
finely-related details; and that the heat of her parting with his
family should have left her unconscious that she was emerging
gloveless into Paris, seemed, on the whole, to speak hopefully for
Durham's future opinion of the city.
Even now, he could detect a certain confusion, a desire to draw
breath and catch up with life, in the way she dawdled over the last
buttons in the dimness of the porte-cochere, while her footman,
outside, hung on her retarded signal.
When at length they emerged, it was to learn from that functionary
that Madame la Marquise's carriage had been obliged to yield its
place at the door, but was at the moment in the act of regaining it.
Madame de Malrive cut the explanation short. "I shall walk home. The
carriage this evening at eight."
As the footman turned away, she raised her eyes for the first time
to Durham's.
"Will you walk with me? Let us cross the Tuileries. I should like to
sit a moment on the terrace."
She spoke quite easily and naturally, as if it were the most
commonplace thing in the world for them to be straying afoot
together over Paris; but even his vague knowledge of the world she
lived in--a knowledge mainly acquired through the perusal of
yellow-backed fiction--gave a thrilling significance to her
naturalness. Durham, indeed, was beginning to find that one of the
charms of a sophisticated society is that it lends point and
perspective to the slightest contact between the sexes. If, in the
old unrestricted New York days, Fanny Frisbee, from a brown stone
door-step, had proposed that they should take a walk in the Park,
the idea would have presented itself to her companion as agreeable
but unimportant; whereas Fanny de Malrive's suggestion that they
should stroll across the Tuileries was obviously fraught with
unspecified possibilities.
He was so throbbing with the sense of these possibilities that he
walked beside her without speaking down the length of the wide alley
which follows the line of the Rue de Rivoli, suffering her even,
when they reached its farthest end, to direct him in silence up the
steps to the terrace of the Feuillants. For, after all, the
possibilities were double-faced, and her bold departure from custom
might simply mean that what she had to say was so dreadful that it
needed all the tenderest mitigation of circumstance.
There was apparently nothing embarrassing to her in his silence: it
was a part of her long Europ
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