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st critic would hardly touch his name with a pair of tongs, but the theatre managers fought for possession of his work. He had a beautiful wife who worshiped him, two wonderful children, and the appearance and bearing of Timon of Athens. At Dorfling's summons two waiters came in; one of them put a large dish of oysters on the table, while the other placed a thick octavo volume before each guest. "The last of the season," cried Barinskoi gayly, and helped himself to oysters. "The book! Bravo!" said Paul, and held out his hand to Dorfling. There was a short silence, while they all, even the cynical Barinskoi, contemplated the book before them, On the pearl-gray cover they read; "The Philosophy of Deliverance, by X. Rheinthaler." "What an expressive title," said Wilhelm, breaking the silence first. "Admirably adapted for a comic song," remarked Mayboom, with a melancholy air. Barinskoi laughed loudly, while Dorfling looked blandly at him. The comic poet sighed deeply and began to eat. "But why Rheinthaler?" asked Paul. "I at first wanted the book to appear anonymously; but the public is accustomed now to see a proper name on the title page. If it does not find one, its curiosity is excited, and what I particularly wished to avoid comes to pass, namely, the diversion of attention from the essential to the unessential." "That does not explain why you have not put your own name to it," said Paul. "My own name? What for? What is a name? What is an individuality, which a name symbolizes? The thoughts which I have put down in this book are not from me, the transient accident called Dorfling, but from the absolute everlasting thing which thinks in my brain. I am merely the carrier of the truth, appointed by it. What would you say if a postman put his name on all the letters he delivers?" "I should not be capable of such self-effacement," said Paul. "If I had devoted the best years of my life to any work I should be unable to renounce the recognition I had earned." "Recognition, Herr Haber. What sort of word is that? One does what one does, not because one wills, but because one must; not on account of an operation aimed at, but because of a compelling cause. He who reckons on any kind of reward for his works is on the same footing as a silly woman who claims men's approbation because she is pretty or an unreasoning child, who wants to be praised and petted because he has eaten his dinner. A mature pe
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