fellow went,--behind a counter or before a
bar, into a salon or to the top of a stage-coach, up to a garret or to
dine with a banker,--every one said, the moment they saw him, "Ah! here
comes the illustrious Gaudissart!"[*] No name was ever so in keeping
with the style, the manners, the countenance, the voice, the language,
of any man. All things smiled upon our traveller, and the traveller
smiled back in return. "Similia similibus,"--he believed in homoeopathy.
Puns, horse-laugh, monkish face, skin of a friar, true Rabelaisian
exterior, clothing, body, mind, and features, all pulled together to put
a devil-may-care jollity into every inch of his person. Free-handed and
easy-going, he might be recognized at once as the favorite of grisettes,
the man who jumps lightly to the top of a stage-coach, gives a hand to
the timid lady who fears to step down, jokes with the postillion about
his neckerchief and contrives to sell him a cap, smiles at the maid and
catches her round the waist or by the heart; gurgles at dinner like a
bottle of wine and pretends to draw the cork by sounding a filip on his
distended cheek; plays a tune with his knife on the champagne glasses
without breaking them, and says to the company, "Let me see you do
_that_"; chaffs the timid traveller, contradicts the knowing one, lords
it over a dinner-table and manages to get the titbits for himself. A
strong fellow, nevertheless, he can throw aside all this nonsense and
mean business when he flings away the stump of his cigar and says, with
a glance at some town, "I'll go and see what those people have got in
their stomachs."
[*] "Se gaudir," to enjoy, to make fun. "Gaudriole," gay
discourse, rather free.--Littre.
When buckled down to his work he became the slyest and cleverest of
diplomats. All things to all men, he knew how to accost a banker like a
capitalist, a magistrate like a functionary, a royalist with pious and
monarchical sentiments, a bourgeois as one of themselves. In short,
wherever he was he was just what he ought to be; he left Gaudissart at
the door when he went in, and picked him up when he came out.
Until 1830 the illustrious Gaudissart was faithful to the article Paris.
In his close relation to the caprices of humanity, the varied paths of
commerce had enabled him to observe the windings of the heart of man. He
had learned the secret of persuasive eloquence, the knack of loosening
the tightest purse-strings, the art of rou
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