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e Bompard was taken to prison. There she soon recovered her spirits, which had at no time been very gravely depressed by her critical situation. According to Eyraud's letters, if anyone knew anything about Gouffe's murder, it was Gabrielle Bompard; according to the woman's statement, it was Eyraud, and Eyraud alone, who had committed it. As they were both liars--the woman perhaps the greater liar of the two--their statements are not to be taken as other than forlorn attempts to shift the blame on to each other's shoulders. Before extracting from their various avowals, which grew more complete as time went on, the story of the crime, let us follow Eyraud in his flight from justice, which terminated in the May of 1890 by his arrest in Havana. Immediately after the arrest of Gabrielle, two French detectives set out for America to trace and run down if possible her deserted lover. For more than a month they traversed Canada and the United States in search of their prey. The track of the fugitive was marked from New York to San Francisco by acts of thieving and swindling. At the former city he had made the acquaintance of a wealthy Turk, from whom, under the pretence of wishing to be photographed in it, he had borrowed a magnificent oriental robe. The photograph was taken, but Eyraud forgot to return the costly robe. At another time he was lodging in the same house as a young American actor, called in the French accounts of the incident "Sir Stout." To "Sir Stout" Eyraud would appear to have given a most convincing performance of the betrayed husband; his wife, he said, had deserted him for another man; he raved and stormed audibly in his bedroom, deploring his fate and vowing vengeance. These noisy representations so impressed "Sir Stout" that, on the outraged husband declaring himself to be a Mexican for the moment without funds, the benevolent comedian lent him eighty dollars, which, it is almost needless to add, he never saw again. In narrating this incident to the French detectives, "Sir Stout" describes Eyraud's performance as great, surpassing even those of Coquelin. Similar stories of theft and debauchery met the detectives at every turn, but, helped in a great measure by the publicity the American newspapers gave to the movements of his pursuers, Eyraud was able to elude them, and in March they returned to France to concert further plans for his capture. Eyraud had gone to Mexico. From there he had wri
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