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g the same privilege at the other end; and you guarantee he will be compelled to take the last match no matter how he may vary the number he takes. The secret is to remove four matches each time between you. For instance, if your opponent takes three you take one; if he takes two you take two; if he takes one you take three and so on. It is obvious if four matches are taken six times one match will be left on the table, which your opponent must take. A SHAKESPEAREAN QUOTATION Lay five matches on the table and request a member of the company to form a well-known quotation from Shakespeare by the addition of three more matches (Fig. 14). "But," some one will say, "how does KINI represent a Shakespearean quotation?" Your reply is obvious: "Can't you see KINI is 'a little more than kin, but rather less than kind'?" | / | |\ | | |/ | | \ | | |\ | | \ | | | \ | | \| | Fig. 14. NUMERAL Place five matches on the table and challenge any one to make them into thirteen without breaking any of them, and then, without moving them, to make eight by the use of a card. The solution will be found in Fig. 15. \ / | | | \ | | | / \ | | | Fig. 15. To make eight, hide the lower half of the row from sight, and it of course shows viii. SIX AND FIVE MAKE NINE Place six matches on the table and request a person to add five more in such a manner as to make nine. The solution is shown in Fig. 16. _____ |\ | | |\ | | | \ | | | \ | |_____ | \ | | | \ | | | \| | | \| |_____ Fig. 16. THE ARTFUL SCHOOLBOYS At a certain school were four long dormitories, built in the form of a square, in which thirty-two boys occupied beds, as shown by matches in Fig. 17. |||| |||| |||| |||| |||| |||| |||| |||| Fig. 17. By this arrangement the master, in going his rounds at night, counted twelve
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