lties with drink; no more was that exquisite lyric _To Mary in
Heaven_. Another poem of this period deserving special mention is _The
Whistle_, not merely because of its dramatic force and lyrical beauty,
but because it gives a true picture of the drinking customs of the time.
And again I dare assert that this is not the work of a mind enfeebled or
debased by drink. It is a bit of simple, direct, sincere narration,
humanly healthy in tone; the ideas are clear and consecutive, and the
language fitting. It is not so that drunken genius expresses itself. The
language of a poetical mind enfeebled by alcohol or opium is frequently
mystic and musical; it never deals with the realities and
responsibilities of life, but in a witchery of words winds and meanders
through the realms of reverie and dream. It may be sweet and sensuous;
it is rarely narrative or simple; never direct nor forcible.
In the _Kirk's Alarm_, wherein he again reverted to his Mossgiel period,
he displayed all his former force of satire, as well as his sympathy
with those who advocated rational views in religion. Dr. Macgill had
written a book which the Kirk declared to be heretical, and Burns, at
the request of some friends, fought for the doctor in his usual way,
though with little hope of doing him any good. 'Ajax's shield consisted,
I think, of seven bull-hides and a plate of brass, which altogether set
Hector's utmost force at defiance. Alas! I am not a Hector, and the
worthy doctor's foes are as securely armed as Ajax was. Ignorance,
superstition, bigotry, stupidity, malevolence, self-conceit, envy--all
strongly bound in a massy frame of brazen impudence; to such a shield
humour is the peck of a sparrow and satire the pop-gun of a schoolboy.
Creation-disgracing scelerats such as they, God only can mend, and the
devil only can punish.' The doctor yielded, Cunningham tells us, and was
forgiven, but not the poet; pertinently adding, 'so much more venial is
it in devout men's eyes to be guilty of heresy than of satire.'
Into political as well as theological matters Burns also entered with
all his wonted enthusiasm. Of his election ballads, the best, perhaps,
are _The Five Carlins_ and the _Epistle to Mr. Graham of Fintry_. But
these ballads are not to be taken as a serious addition to the poet's
works; he did not wish them to be so taken. He was a man as well as a
poet; was interested with his neighbours in political affairs, and in
the day of battle foug
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