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heels I don't know; what men require I know as little; and of what they are in possession I know not.... With this I send you your 'Sordello.' I suppose, I am sure, indeed, that the translation from Dante, on the fly-leaf, is your own...." In another letter to Alfred Domett, Browning thus refers to Tennyson: "... But how good when good he is! That noble 'Locksley Hall!'" Browning had already become enamored of Italy; and Mrs. Bridell-Fox, writing to William Sharp, speaks of meeting the poet after his return, and thus describes the impression he made upon her:[2] "I remember him as looking in often in the evenings, having just returned from his first visit to Venice. I cannot tell the date for certain. He was full of enthusiasm for that Queen of Cities. He used to illustrate his glowing descriptions of its beauties, the palaces, the sunsets, the moonrises, by a most original kind of etching. Taking up a bit of stray notepaper, he would hold it over a lighted candle, moving the paper about gently till it was cloudily smoked over, and then utilizing the darker smears for clouds, shadows, water, or what not, would etch with a dry pen the forms of lights on cloud and palace, on bridge or gondola, on the vague and dreamy surface he had produced. My own passionate longing to see Venice dates from those delightful, well-remembered evenings of my childhood." This visit of the young poet to Italy forged the link of that golden chain which was to unite all his future with that land of art and song which held for him such wonderful Sibylline leaves of the yet undreamed-of chapters of his life. CHAPTER IV 1833-1841 "O Life, O Beyond, _Art_ thou fair, _art_ thou sweet?" "How the world is made for each of us! How all we perceive and know in it Tends to some moment's product thus, When a soul declares itself--to wit, By its fruit, the thing it does!" ELIZABETH BARRETT'S LOVE FOR THE GREEK POETS--LYRICAL WORK--SERIOUS ENTRANCE ON PROFESSIONAL LITERATURE--NOBLE IDEAL OF POETRY--LONDON LIFE--KENYON--FIRST KNOWLEDGE OF ROBERT BROWNING. Elizabeth Barrett was but twelve days in translating the "Prometheus Bound" of Aeschylus, and of the result of this swift achievement she herself declared, when laughingly discussing this work with Home in later years, that it ought to have been "thrown in the fire immed
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