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The Project Gutenberg EBook of I'll Kill You Tomorrow, by Helen Huber This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: I'll Kill You Tomorrow Author: Helen Huber Illustrator: Kelly Freas Release Date: September 19, 2009 [EBook #30034] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK I'LL KILL YOU TOMORROW *** Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration] _The entities were utterly, ambitiously evil; their line of defense, apparently, was absolutely impregnable._ I'll Kill You Tomorrow By Helen Huber Illustrated by Kelly Freas It was not a sinister silence. No silence is sinister until it acquires a background of understandable menace. Here there was only the night quiet of Maternity, the silence of noiseless rubber heels on the hospital corridor floor, the faint brush of starched white skirts brushing through doorways into darkened and semi-darkened rooms. But there was something wrong with the silence in the "basket room" of Maternity, the glass-walled room containing row on row, the tiny hopes of tomorrow. The curtain was drawn across the window through which, during visiting hours, peered the proud fathers who did the hoping. The night-light was dim. The silence should not have been there. Lorry Kane, standing in the doorway, looked out over the rows of silent baskets and felt her blonde hair tighten at the roots. The tightening came from instinct, even before her brain had a chance to function, from the instincts and training of a registered nurse. Thirty-odd babies grouped in one room and--_complete silence_. Not a single whimper. Not one tiny cry of protest against the annoying phenomenon of birth. Thirty babies--_dead_? That was the thought that flashed, unbidden, into Lorry's pretty head. The absurdity of it followed swiftly, and Lorry moved on rubber soles between a line of baskets. She bent down and explored with practiced fingers. A warm, living bundle in a white basket. The feeling of relief was genuine. Relief, even from an absurdity, is a welcome thing. Lorry smiled and bent closer. Staring up at Lor
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