Crisp with temptation's awful play;
As though an itch for flesh and gold
Lured them to horrors yet to be,
Twisting them roughly as of old,
Teasing their immobility.
There every vice and passion's whim
Had seamed the flesh abundantly
With hideous hieroglyphs and grim,
That headsmen read with fluency.
There plainly writ in furrows fell,
I saw the deeds of sin and soil,
Scorchings from every fiery hell
Wherein corruptions seethe and boil.
There was a track of Capri's vice,
Of lupanars and gaming-scores,
Fretted with wine and blood and dice,
Like ennui of old emperors.
Supple and fierce, it had some dower
Of grace unto the searching eye,
Some brutal fascination's power,
A gladiator's mastery.
Cold aristocracy of crime!
No plane inured, no hammer spent
The hand whose task for every time
Had but the knife for implement.
The hand of Lacenaire! No clue
Therein to labour's honest pride!
False poet, and assassin true,
The Manfred of the gutter died!
VARIATIONS ON THE CARNIVAL OF VENICE
I
ON THE STREET
There is a popular old air
That every fiddler loves to scrape.
'T is wrung from organs everywhere,
To barking dog with wrath agape.
The music-box has registered
Its phrases garbled and reviled.
'T is classic to the household bird;
Grandmother learned it as a child.
The trumpet and the clarinet,
In dusty gardens of the dance,
Blow it to clerk and gay grisette,
In shrill, unlovely resonance.
And of a Sunday swarm the folk
Under the honeysuckle vine,
Quaffing, the while they talk and smoke,
The sun, the melody, the wine.
It lurks within the wry bassoon
The blind man plays, the porch beneath.
His poodle whimpers low the tune,
And holds the cup between its teeth.
The players of the light guitar,
Decked with their flimsy tartans, pale,
With voices sad, where feasters are,
Through coffee-houses fling its wail.
Great Paganini at a sign,
One night, as with a needle's gleam,
Picked up with end of bow divine
The little antiquated theme,
And, threading it with fingers deft,
He broidered it with colours bright,
Till up and down the faded weft
Ran golden arabesques of light.
II
ON THE LAGOONS
Tra la, tra la, la, la, la,--who
Knows not the theme's soft spell?
Or sad or light or mock or true,
Our mothers loved it well.
The Carnival of Venice! Long
Adown canals it came,
Till, wafted on a zephyr's song,
The ballet kept its fame.
I seem, whene'er its phrase I he
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