n,
and there is no danger of a second restoration. I may remark, as a
curious coincidence, that, as the name of Amasis is erased from the
sphinx, so that of Hophries, his predecessor, is erased from the
obelisk discovered in the same temple, and now in the Piazza della
Minerva. In these two monuments of the Roman Iseum we possess a
synopsis of Egyptian history between 595 and 526 B. C.
[Illustration: Obelisk of Rameses the Great.]
The second work, discovered June 17, was an obelisk which was
wonderfully well preserved to the very top of the pinnacle, and
covered with hieroglyphics. It was quarried at Assuan, from a richly
colored vein of red granite, and was brought to Rome, probably under
Domitian, together with the obelisk now in the Piazza del Pantheon.
The two monoliths are almost identical in size and workmanship, and
are inscribed with the same cartouches of Rameses the Great. The one
which I discovered was set up, in 1887, to the memory of our brave
soldiers who fell at the battle of Dogali. The site selected for the
monument, the square between the railway station and the Baths of
Diocletian, is too large for such a comparatively small shaft.
Two days later, on the 19th, we discovered two _kynokephaloi_ or
_kerkopithekoi_, five feet high, carved in black porphyry. The
monsters are sitting on their hind legs, with the paws of the forearms
resting on the knees. Their bases contain finely-cut hieroglyphics,
with the cartouche of King Necthor-heb, of the thirtieth Sebennitic
dynasty. One of these _kynokephaloi_, and also the obelisk, were
certainly seen in 1719 by the masons who built the foundations of the
Biblioteca Casanatense. For some reason unknown to us, they kept their
discovery a secret. Many other works of art were discovered before the
close of the excavations, in the last days of June. Among them were a
crocodile in red granite, the pedestal of a candelabrum, triangular in
shape, with sphinxes at the corners; a column of the temple, with
reliefs representing an Isiac procession; and a portion of a capital.
From an architectural point of view, the most curious discovery was
that the temple itself, with its colonnades and double cella, had been
brought over, piece by piece, from the banks of the Nile to those of
the Tiber. It is not an imitation; it is a purely original Egyptian
structure, shaded first by the palm-trees of Sais, and later by the
pines of the Campus Martius.
The earliest trustworth
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