tap.

There was no longer any doubt about it; he hated the central character
of his novel. Even as he had described her physically she overpowered
the senses; she was coarse-fibred, over-coloured, rank. It became true
the moment he formulated his thought; Gulliver had described the
Brobdingnagian maids-of-honour thus: and mentally and spiritually she
corresponded--was unsensitive, limited, common. The model (he closed his
eyes for a moment)--the model stuck out through fifteen vulgar and
blatant chapters to such a pitch that, without seeing the reason, he had
been unable to begin the sixteenth. He marvelled that it had only just
dawned upon him.

And _this_ was to have been his Beatrice, his vision! As Elsie she was to
have gone into the furnace of his art, and she was to have come out the
Woman all men desire! Her thoughts were to have been culled from his own
finest, her form from his dearest dreams, and her setting wherever he
could find one fit for her worth. He had brooded long before making the
attempt; then one day he had felt her stir within him as a mother feels
a quickening, and he had begun to write; and so he had added chapter to
chapter....

And those fifteen sodden chapters were what he had produced!

Again he sat, softly moving his finger....

Then he bestirred himself.

She must go, all fifteen chapters of her. That was settled. For what was
to take her place his mind was a blank; but one thing at a time; a man
is not excused from taking the wrong course because the right one is not
immediately revealed to him. Better would come if it was to come;
in the meantime--

He rose, fetched the fifteen chapters, and read them over before he
should drop them into the fire.

But instead of putting them into the fire he let them fall from his hand.
He became conscious of the dripping of the tap again. It had a tinkling
gamut of four or five notes, on which it rang irregular changes, and it
was foolishly sweet and dulcimer-like. In his mind Oleron could see the
gathering of each drop, its little tremble on the lip of the tap, and the
tiny percussion of its fall, "Plink--plunk," minimised almost to
inaudibility. Following the lowest note there seemed to be a brief
phrase, irregularly repeated; and presently Oleron found himself waiting
for the recurrence of this phrase. It was quite pretty....

But it did not conduce to wakefulness, and Oleron dozed over his fire.

When he awoke again the fire had burned