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dix-huit ans_ in Paris; and gallop through the Bois de Boulogne with the young men who pride themselves on their riding, without being ever left behind. I had frequently heard his praises from the Duchesse de Guiche, and found that her description of him was very accurate. The house of the Duc de Guiche is a picture of English comfort and French elegance united; and that portion of it appropriated to its fair mistress is fitted up with exquisite taste. Her _salons_ and _boudoir_ are objects of _vertu, bijouterie_, and vases of old Sevre, enough to excite envy in those who can duly appreciate such treasures, and tempt to the violation of the tenth commandment. Order reigns in the whole arrangement of the establishment, which, possessing all the luxurious appliances of a _maison montee_, has all the scrupulous cleanliness of that of a Quaker. Went to the Opera last night, where I saw the _debut_ of the new _danseuse_ Taglioni. Hers is a totally new style of dancing; graceful beyond all comparison, wonderful lightness, an absence of all violent effort, or at least of the appearance of it, and a modesty as new as it is delightful to witness in her art. She seems to float and bound like a sylph across the stage, never executing those _tours de force_ that we know to be difficult and wish were impossible, being always performed at the expense of decorum and grace, and requiring only activity for their achievement. She excited the most rapturous applause, and received it with a "decent dignity," very unlike the leering smiles with which, in general, a _danseuse_ thinks it necessary to advance to the front of the proscenium, shewing all her teeth, as she lowly courtesies to the audience. There is a sentiment in the dancing of this charming votary of Terpsichore that elevates it far beyond the licentious style generally adopted by the ladies of her profession, and which bids fair to accomplish a reformation in it. The Duc de Cazes, who came in to the Duchesse de Guiche's box, was enthusiastic in his praises of Mademoiselle Taglioni, and said hers was the most poetical style of dancing he had ever seen. Another observed, that it was indeed the poetry of motion. I would describe it as being the epic of dancing. The Duc de Cazes is a very distinguished looking man, with a fine and intelligent countenance, and very agreeable manners. _A propos_ of manners, I am struck with the great difference between those of French
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