Florentine
Force and interest consist in suspension
Form, the vestment of substance
definition of
Fourier, Charles
Free-thinkers, blindness of
French prosody
French versification
Fright
Frontal (forehead) zone, the

G.

Galen
Garrick
Gautier, Theophile
Genal (chin) zone, the
Geraldon
Gesture, in general
is for sentiments
its services to humanity
reveals the inner man
the direct agent of the heart
the interpreter of speech
the interpreter of emotion
an elliptical language
division of
harmony and dissonance of
origin and oratorical value of
superior to the other languages
is magnetic
the laws of
must always precede speech
retroaction
joy and fright require backward movement
equilibrium the great law of
the hirmonic law of
parallelism of
numbers of
lack of intelligence indicated by many
duration of
the rhythm of
importance of the laws of
the semeiotic or reason of
the types that characterize
its modifying apparatus
the inflections of
delineation of
spheroidal form of
the sense of the heart
the spirit of
the inflection of the deaf
a series of, for exercises
the static the life of
the semeiotic the spirit and rationale of
the series of, applied to the sentiments oftenest expressed
the, of interpellation
the, of thanks, affectionate and ceremonious
the, of attraction
the, of surprise and assurance
the, of devotion
the, of interrogative surprise
the, of reiterated interrogation
the, of anger
the, of menace
the, of an order for leaving
the, of reiteration
the, of fright
three important rules for
how produced
dilatory
difficulty in
object of
definition of
without a motive
Giraudet, Alfred
report of Delsarte's lecture
Gluck
God, the spirit of, in all things
how He reveals things
a pretext for every Utopia
the archetype
Good, the
Gospel, the, directs investigation
Gounod
Grace
Great movements for exaltation of sentiment
Greeks, the, had no school of aesthetics
Groans
Gueroult, Adolphe
Guide-accord, the, of Delsarte
Gymnastics, the grand law of organic
the practice of

H.

Habit
Halevy
Hand, the, another expression of the face
expressions of the
its three presentations
criterion of the
chart of
the digital face
the back and the palmar face
the three rhythmic actions
the, in natural surprise
the, in death
at