short intervals between the rapid succession of all these fiend-like
noises, was heard one more dismal than the rest, proceeding from an iron
tube, accompanied by the clinking of chains. Indeed, everything that
_could_ increase the uproar was put in requisition on this memorable
occasion; nor did it cease till midnight, when the eclipse had passed
away. Never have we witnessed so extraordinary a scene as this. The
diminished light, when the eclipse was complete, was just sufficient to
enable us to distinguish the various groups of people, and contributed
in no small degree to render the scene still more imposing. If an
European, a stranger to Africa, were to be placed on a sudden in the
midst of the terror-struck people, he would imagine himself to be among
a legion of demons, holding a revel over a fallen spirit; so peculiarly
unearthly wild, and horrifying was the appearance of the dancing group,
and the clamour which they made. It was perhaps fortunate for us that we
had an almanac with us, which foretold the eclipse; for although we
neglected to inform the king of this circumstance, we were yet enabled
to tell him and his people the exact time of its disappearance. This
succeeded in some measure in suppressing their fears, for they would
believe anything we might tell them; and perhaps, also, it has procured
for us a lasting reputation 'and a name.' 'Oh,' said the king, 'there
will be sorrow and crying this night from Wowow to Yaoorie. The people
will have no one to comfort or condole with them; they will fancy this
eclipse to be the harbinger of something very dreadful; and they will be
in distress and trouble till the moon shall have regained her
brightness.' It was nearly one o'clock when we left the king and queen,
to return to our hut; everything was then calm and silent, and we lay
down to rest in peace."
* * * * *
SPIRIT OF DISCOVERY
POTTERY.
Appended to the volume of the _Transactions of the Society of Arts_,
just published, are selections from a series of Illustrations on Pottery
and Porcelain, which were read before the Society by their ingenious
secretary, Mr. Arthur Aikin. We quote a few.
_Raphael China._
"Raffaello himself is said in his youth to have painted, or at least to
have given designs for painting, in enamel on glazed earthenware. Such
works are commonly known by the name of Raphael china, two interesting
specimens of which, from the collectio
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