pe of a small
corn-cob. The stems stood three or four feet apart all over a great
hill-slope that was a mile long, and make one think of what the Place
de la Concorde would be if its myriad lights were red instead of white
and yellow.

A few miles down the mountain we stopped half an hour to see a Thibetan
dramatic performance. It was in the open air on the hillside. The
audience was composed of Thibetans, Ghurkas, and other unusual people.
The costumes of the actors were in the last degree outlandish, and the
performance was in keeping with the clothes. To an accompaniment of
barbarous noises the actors stepped out one after another and began to
spin around with immense swiftness and vigor and violence, chanting the
while, and soon the whole troupe would be spinning and chanting and
raising the dust. They were performing an ancient and celebrated
historical play, and a Chinaman explained it to me in pidjin English as
it went along. The play was obscure enough without the explanation; with
the explanation added, it was (opake). As a drama this ancient
historical work of art was defective, I thought, but as a wild and
barbarous spectacle the representation was beyond criticism.
Far down the mountain we got out to look at a piece of remarkable
loop-engineering--a spiral where the road curves upon itself with such
abruptness that when the regular train came down and entered the loop, we
stood over it and saw the locomotive disappear under our bridge, then in
a few moments appear again, chasing its own tail; and we saw it gain on
it, overtake it, draw ahead past the rear cars, and run a race with that
end of the train. It was like a snake swallowing itself.

Half-way down the mountain we stopped about an hour at Mr. Barnard's
house for refreshments, and while we were sitting on the veranda looking
at the distant panorama of hills through a gap in the forest, we came
very near seeing a leopard kill a calf.--[It killed it the day before.]
--It is a wild place and lovely. From the woods all about came the songs
of birds,--among them the contributions of a couple of birds which I was
not then acquainted with: the brain-fever bird and the coppersmith. The
song of the brain-fever demon starts on a low but steadily rising key,
and is a spiral twist which augments in intensity and severity with each
added spiral, growing sharper and sharper, and more and more painful,
more and more agonizing, more and more maddening, int