he chapel, disappointed them by saying "Gleich!" instead of
"Subito!" The architecture of the houses was a party to the illusion.
St. Johannis, like the older church of St. Gumpertus, is Gothic, with
the two unequal towers which seem distinctive of Ansbach; at the St.
Gumpertus end of the place where they both stand the dwellings are
Gothic too, and might be in Hamburg; but at the St. Johannis end they
seem to have felt the exotic spirit of the court, and are of a sort of
Teutonized renaissance.

The rococo margraves and margravines used of course to worship in St.
Johannis Church. Now they all, such as did not marry abroad, lie in the
crypt of the church, in caskets of bronze and copper and marble, with
draperies of black samite, more and more funereally vainglorious to the
last. Their courtly coffins are ranged in a kind of hemicycle, with
the little coffins of the children that died before they came to the
knowledge of their greatness. On one of these a kneeling figurine in
bronze holds up the effigy of the child within; on another the epitaph
plays tenderly with the fate of a little princess, who died in her first
year.

In the Rose-month was this sweet Rose taken.
For the Rose-kind hath she earth forsaken.
The Princess is the Rose, that here no longer blows.
From the stem by death's hand rudely shaken.
Then rest in the Rose-house.
Little Princess-Rosebud dear!
There life's Rose shall bloom again
In Heaven's sunshine clear.

While March struggled to get this into English words, two German ladies,
who had made themselves of his party, passed reverently away and left
him to pay the sacristan alone.

"That is all right," he said, when he came out. "I think we got the most
value; and they didn't look as if they could afford it so well; though
you never can tell, here. These ladies may be the highest kind of
highhotes practising a praiseworthy economy. I hope the lesson won't
be lost on us. They have saved enough by us for their coffee at the
Orangery. Let us go and have a little willow-leaf tea!"

The Orangery perpetually lured them by what it had kept of the days when
an Orangery was essential to the self-respect of every sovereign prince,
and of so many private gentlemen. On their way they always passed the
statue of Count Platen, the dull poet whom Heine's hate would have
delivered so cruelly over to an immortality of contempt, but who stands
there near the Schloss in a