elf, and had spent it on a charity farm near the city, where
the fathers with whom he worked among the poor on the East Side in the
winter had sent some of their wards for the summer. It was not possible
to keep his recreation a secret at the office, and Fulkerson found a
pleasure in figuring the jolly time Brother Conrad must have teaching
farm work among those paupers and potential reprobates. He invented
details of his experience among them, and March could not always
help joining in the laugh at Conrad's humorless helplessness under
Fulkerson's burlesque denunciation of a summer outing spent in such
dissipation.

They had time for a great deal of joking at the office during the season
of leisure which penetrates in August to the very heart of business, and
they all got on terms of greater intimacy if not greater friendliness
than before. Fulkerson had not had so long to do with the advertising
side of human nature without developing a vein of cynicism, of no great
depth, perhaps, but broad, and underlying his whole point of view; he
made light of Beaton's solemnity, as he made light of Conrad's humanity.
The art editor, with abundant sarcasm, had no more humor than the
publisher, and was an easy prey in the manager's hands; but when he had
been led on by Fulkerson's flatteries to make some betrayal of egotism,
he brooded over it till he had thought how to revenge himself in
elaborate insult. For Beaton's talent Fulkerson never lost his
admiration; but his joke was to encourage him to give himself airs of
being the sole source of the magazine's prosperity. No bait of this sort
was too obvious for Beaton to swallow; he could be caught with it as
often as Fulkerson chose; though he was ordinarily suspicious as to the
motives of people in saying things. With March he got on no better than
at first. He seemed to be lying in wait for some encroachment of the
literary department on the art department, and he met it now and then
with anticipative reprisal. After these rebuffs, the editor delivered
him over to the manager, who could turn Beaton's contrary-mindedness to
account by asking the reverse of what he really wanted done. This was
what Fulkerson said; the fact was that he did get on with Beaton
and March contented himself with musing upon the contradictions of a
character at once so vain and so offensive, so fickle and so sullen, so
conscious and so simple.

After the first jarring contact with Dryfoos, the editor ce