ain.
Vassilyev felt a repulsion for her white fur and for her voice, and
walked away from her. It seemed to him hot and stifling, and his heart
began throbbing slowly but violently, like a hammer--one! two! three!
"Let us go away!" he said, pulling the artist by his sleeve.
"Wait a little; let me finish."
While the artist and the medical student were finishing the quadrille,
to avoid looking at the women, Vassilyev scrutinized the musicians. A
respectable-looking old man in spectacles, rather like Marshal Bazaine,
was playing the piano; a young man with a fair beard, dressed in the
latest fashion, was playing the violin. The young man had a face that
did not look stupid nor exhausted, but intelligent, youthful, and fresh.
He was dressed fancifully and with taste; he played with feeling. It was
a mystery how he and the respectable-looking old man had come here. How
was it they were not ashamed to sit here? What were they thinking about
when they looked at the women?
If the violin and the piano had been played by men in rags, looking
hungry, gloomy, drunken, with dissipated or stupid faces, then one could
have understood their presence, perhaps. As it was, Vassilyev could not
understand it at all. He recalled the story of the fallen woman he had
once read, and he thought now that that human figure with the guilty
smile had nothing in common with what he was seeing now. It seemed to
him that he was seeing not fallen women, but some different world quite
apart, alien to him and incomprehensible; if he had seen this world
before on the stage, or read of it in a book, he would not have believed
in it....
The woman with the white fur burst out laughing again and uttered a
loathsome sentence in a loud voice. A feeling of disgust took possession
of him. He flushed crimson and went out of the room.
"Wait a minute, we are coming too!" the artist shouted to him.
IV
"While we were dancing," said the medical student, as they all three
went out into the street, "I had a conversation with my partner. We
talked about her first romance. He, the hero, was an accountant at
Smolensk with a wife and five children. She was seventeen, and she lived
with her papa and mamma, who sold soap and candles."
"How did he win her heart?" asked Vassilyev.
"By spending fifty roubles on underclothes for her. What next!"
"So he knew how to get his partner's story out of her," thought
Vassilyev about the medical student. "But I don'
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