FREE BOOKS

Author's List




PREV.   NEXT  
|<   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58  
59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>   >|  
ing," cried Michael Moon; "singing is the only thing. Can't you find that mandoline of yours, Rosamund?" "Go and fetch it for me," said Rosamund, with crisp and sharp authority. The lounging Mr. Moon stood for one split second astonished; then he shot away across the lawn, as if shod with the feathered shoes out of the Greek fairy tale. He cleared three yards and fifteen daisies at a leap, out of mere bodily levity; but when he came within a yard or two of the open parlour windows, his flying feet fell in their old manner like lead; he twisted round and came back slowly, whistling. The events of that enchanted evening were not at an end. Inside the dark sitting-room of which Moon had caught a glimpse a curious thing had happened, almost an instant after the intemperate exit of Rosamund. It was something which, occurring in that obscure parlour, seemed to Arthur Inglewood like heaven and earth turning head over heels, the sea being the ceiling and the stars the floor. No words can express how it astonished him, as it astonishes all simple men when it happens. Yet the stiffest female stoicism seems separated from it only by a sheet of paper or a sheet of steel. It indicates no surrender, far less any sympathy. The most rigid and ruthless woman can begin to cry, just as the most effeminate man can grow a beard. It is a separate sexual power, and proves nothing one way or the other about force of character. But to young men ignorant of women, like Arthur Inglewood, to see Diana Duke crying was like seeing a motor-car shedding tears of petrol. He could never have given (even if his really manly modesty had permitted it) any vaguest vision of what he did when he saw that portent. He acted as men do when a theatre catches fire--very differently from how they would have conceived themselves as acting, whether for better or worse. He had a faint memory of certain half-stifled explanations, that the heiress was the one really paying guest, and she would go, and the bailiffs (in consequence) would come; but after that he knew nothing of his own conduct except by the protests it evoked. "Leave me alone, Mr. Inglewood--leave me alone; that's not the way to help." "But I can help you," said Arthur, with grinding certainty; "I can, I can, I can..." "Why, you said," cried the girl, "that you were much weaker than me." "So I am weaker than you," said Arthur, in a voice that went vibrating through everything, "but
PREV.   NEXT  
|<   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58  
59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>   >|  



Top keywords:

Arthur

 

Inglewood

 
Rosamund
 

parlour

 

astonished

 

weaker

 

shedding

 

sympathy

 

ruthless

 

petrol


character
 
separate
 
proves
 

sexual

 

ignorant

 

crying

 
effeminate
 

modesty

 

conduct

 

protests


evoked
 

bailiffs

 

consequence

 

vibrating

 

certainty

 

grinding

 

paying

 

theatre

 

catches

 

portent


vision
 

vaguest

 

differently

 

stifled

 

explanations

 

heiress

 

memory

 

acting

 

conceived

 

permitted


bodily
 

levity

 

daisies

 

cleared

 

fifteen

 
manner
 

twisted

 

windows

 

flying

 

mandoline