the
Meno. There is no reason to suppose that any of the Dialogues of Plato
were written before the death of Socrates; the Meno, which appears to be
one of the earliest of them, is proved to have been of a later date by
the allusion of Anytus.
We cannot argue that Plato was more likely to have written, as he has
done, of Meno before than after his miserable death; for we have already
seen, in the examples of Charmides and Critias, that the characters in
Plato are very far from resembling the same characters in history. The
repulsive picture which is given of him in the Anabasis of Xenophon,
where he also appears as the friend of Aristippus 'and a fair youth
having lovers,' has no other trait of likeness to the Meno of Plato.
The place of the Meno in the series is doubtfully indicated by internal
evidence. The main character of the Dialogue is Socrates; but to the
'general definitions' of Socrates is added the Platonic doctrine of
reminiscence. The problems of virtue and knowledge have been discussed
in the Lysis, Laches, Charmides, and Protagoras; the puzzle about
knowing and learning has already appeared in the Euthydemus. The
doctrines of immortality and pre-existence are carried further in the
Phaedrus and Phaedo; the distinction between opinion and knowledge is
more fully developed in the Theaetetus. The lessons of Prodicus, whom he
facetiously calls his master, are still running in the mind of Socrates.
Unlike the later Platonic Dialogues, the Meno arrives at no conclusion.
Hence we are led to place the Dialogue at some point of time later than
the Protagoras, and earlier than the Phaedrus and Gorgias. The place
which is assigned to it in this work is due mainly to the desire to
bring together in a single volume all the Dialogues which contain
allusions to the trial and death of Socrates.
*****
ON THE IDEAS OF PLATO.
Plato's doctrine of ideas has attained an imaginary clearness and
definiteness which is not to be found in his own writings. The popular
account of them is partly derived from one or two passages in his
Dialogues interpreted without regard to their poetical environment. It
is due also to the misunderstanding of him by the Aristotelian school;
and the erroneous notion has been further narrowed and has become fixed
by the realism of the schoolmen. This popular view of the Platonic ideas
may be summed up in some such formula as the following: 'Truth consists
not in particulars, but in un
|