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em an intuitive perception of certain fundamental truths concerning the constitution of the Cosmos, even if they distorted these truths and dressed them in a fantastic garb. Now, as I hope to make plain in the course of this excursion, the alchemists regarded the discovery of the Philosopher's Stone and the transmutation of "base" metals into gold as the consummation of the proof of the doctrines of mystical theology as applied to chemical phenomena, and it was as such that they so ardently sought to achieve the _magnum opus_, as this transmutation was called. Of course, it would be useless to deny that many, accepting the truth of the great alchemical theorem, sought for the Philosopher's Stone because of what was claimed for it in the way of material benefits. But, as I have already indicated, with the nobler alchemists this was not the case, and the desire for wealth, if present at all, was merely a secondary object. The idea expressed in DALTON'S atomic hypothesis (1802), and universally held during the nineteenth century, that the material world is made up of a certain limited number of elements unalterable in quantity, subject in themselves to no change or development, and inconvertible one into another, is quite alien to the views of the alchemists. The alchemists conceived the universe to be a unity; they believed that all material bodies had been developed from one seed; their elements are merely different forms of one matter and, therefore, convertible one into another. They were thoroughgoing evolutionists with regard to the things of the material world, and their theory concerning the evolution of the metals was, I believe, the direct outcome of a metallurgical application of the mystical doctrine of the soul's development and regeneration. The metals, they taught, all spring from the same seed in Nature's womb, but are not all equally matured and perfect; for, as they say, although Nature always intends to produce only gold, various impurities impede the process. In the metals the alchemists saw symbols of man in the various stages of his spiritual development. Gold, the most beautiful as well as the most untarnishable metal, keeping its beauty permanently, unaffected by sulphur, most acids, and fire--indeed, purified by such treatment,--gold, to the alchemist, was the symbol of regenerate man, and therefore he called it "a noble metal". Silver was also termed "noble"; but it was regarded as less mature t
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