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he intimate responses and the severe Compline hymn. He liked, too, the swift departure to bed without chattering good-nights to spoil the solemnity of the last Office. Even Chator kept all conversation for the morning, and Michael felt he had never lain down upon a couch so truly sanctified, nor ever risen from one so pure as when Dom Gilbert knocked with a hammer on the door and, standing dark against the milk-white dawn, murmured 'Pax vobiscum.' Chapter VII: _Cloven Hoofmarks_ In the first fortnight of their stay at Clere Abbas Michael and Chator lived like vagabond hermits rejoicing in the freedom of fine weather. Mostly they went for long walks over the downs and through the woodlands of the southern slope. To the monks at recreation time they would recount their adventures with gamekeepers and contumacious farmers, their discoveries of flowers and birds and butterflies, their entertainment at remote cottage homes and the hospitalities of gipsy camps. To be sure they would often indulge in theological discussions, and sometimes, when caught by the azure-footed dusk in unfamiliar lanes, they would chant plainsong to the confusion of whatever ghostly pursuers, whether Dryads or mediaeval fiends or early Victorian murderers, that seemed to dog their footsteps. So much nowadays did the unseen world mingle with the ordinary delights of youth. "Funny thing," said Michael to Chator. "When I was a kid I used to be frightened at night--always. Then for a long time I wasn't frightened at all, and now again I have a queer feeling just after sunset, a sort of curious dampness inside me. Do you ever have it?" "I only have it when you start me off," said Chator. "But it goes when we sing 'Te lucis ante terminum' or chant the Nicene Creed or anything holy." "Yes, it goes with me," Michael agreed dubiously. "But if I drive it away it comes back in the middle of the night. I have all sorts of queer feelings. Sometimes I feel as if there wasn't any me at all, and I'm surprized to see a letter come addressed to me. But when I see a letter I've written, I'm still more surprized. Do you have that feeling? Then often I feel as if all we were doing or saying at a certain moment had been done or said before. Then at other times I have to hold on to a tree or hurt myself with something just to prove I'm there. And then sometimes I think nothing is impossible for me. I feel absolutely great, as if I were Shakespeare. Do yo
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