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tely superior to ours, and they have the additional advantage of not being corrosive or injurious either to the pen or paper. Their pen is the reed commonly used in the East, only the nib is made sharper than that which is required to write the Arabic character. The ink-horn is usually the small end of a cow's horn, which is stuck into the ground at the feet of the scribe. In the most ancient Greek frescos and illuminations this kind of ink-horn is the one generally represented, and it seems to have been usually inserted in a hole in the writing-desk: no writing-desk, however, is in use among the children of Habesh. Seated upon the ground, the square piece of thick greasy vellum is held upon the knee or on the palm of the left hand. The Abyssinian alphabet consists of 8 times 26 letters, 208 characters in all, and these are each written distinctly and separately like the letters of an European printed book. They have no cursive writing; each letter is therefore painted, as it were, with the reed pen, and as the scribe finishes each he usually makes a horrible face and gives a triumphant flourish with his pen. Thus he goes on letter by letter, and before he gets to the end of the first line he is probably in a perspiration from his nervous apprehension of the importance of his undertaking. One page is a good day's work, and when he has done it he generally, if he is not too stiff, follows the custom of all little Arab boys, and swings his head or his body from side to side, keeping time to a sort of nasal recitative, without the help of which it would seem that few can read even a chapter of the Koran, although they may know it by heart. Some of these manuscripts are adorned with the quaintest and grimmest illuminations conceivable. The colours are composed of various ochres. In general the outlines of the figures are drawn first with the pen. The paint brush is made by chewing the end of a reed till it is reduced to filaments and then nibbling it into a proper form: the paint brushes of the ancient Egyptians were made in the same way, and excellent brooms for common purposes are made at Cairo by beating the thick end of a palm-branch till the fibres are separated from the pith, the part above, which is not beaten, becoming the handle of the broom. The Abyssinian having nibbled and chewed his reed till he thinks it will do, proceeds to fill up the spaces between the inked outlines with his colours. The Blessed Virgin
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