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he had not done this to poor little Mrs. Ricker." "Would--would you give me the lief to say that?" Calliope asked demurely. I had no objection in the world to any one knowing my opinion of Mis' Postmaster Sykes's proceeding,--"one of her preposterousnesses," Calliope called it,--and I said so, and set off for Mrs. Ricker's, while Calliope herself flew somewhere else on some last mission. And, "Mis' Sykes'd ought to be showed," she called to me over-shoulder. "That woman's got a sinful pride. She'd wear fur in August to prove she could afford to hev moths!" The Ricker parlour was a garden which sloped gently, as a garden should, for the house was old and the parlour floor sagged toward the entrance so that the front of the organ was propped on wooden blocks. The room was bedizened with flowers, in dishes, tins, and gallon jars, so that it seemed some way an alien thing, like a prune horse. On the lamp shelf was the huge white carnation pillow, across which the hostess had inscribed "welcom," in stems. Within ten minutes of the appointed hour all those who had been pleased to accept were in the rooms, and Mrs. Ricker and Kitton and I, standing among the funeral flowers, received the guests while Calliope, hovering at the door, gave the key with: "Ain't you heard? Emerel's a bride instead of a debbytant. Ain't it a rill joke? Married to-night an' we're here to celebrate. Throw off your things." Then she hopelessly involved them in a presentation to me, and between us we contrived to elide Mrs. Ricker and Kitton from all save her perfunctory office, until her voice and lips ceased their trembling. Poor little hostess, in her starched lawn which had seemed to her adequate for her unpretentious role of mother! All her humour and independence and self-possession had left her, and in their stead, on what was to have been her great night, had settled only the immemorial wistfulness. Although I did not then foresee it, the guests that evening were destined to point me to many meanings, like sketches in the note-book of a patient Pen. I am fond of remembering them as I saw them first: the Topladys, that great Mis' Amanda, ponderous, majestic, and suggesting black grosgrain, her beaming way of whole-hearted approval not quite masking the critical, house-wife glances which she continually cast; and little Timothy, her husband, who, in company, went quite out of his head and could think of nothing to say save "Blisterin' B
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